  Planet P Project
   1931
   Review by Josh Turner
 Prepare yourself for            some bold statements… This unknown commodity is one of my highlights            from 2004 and deserves to be in any Top Ten Prog Album List for that            year. Not to mention, it is probably the best album on the Prog Rock            Label at the time of this writing. To give credit where credit is due,            the label continues to add remarkable acts, so this may be the start            of something great. This album is absolutely brilliant, and it totally            blew me away. It was much more than I expected. 
OSI and Chroma Key are            some of the elements that come to the surface. It's a surprise that            Kevin Moore hasn't had his hand in this project. There are also aspects            of Pink Floyd and U2 in the mix. The music even reminds me of some of            the alternative acts from the eighties: Morissey, Pet Shop Boys, New            Order, Depeche Mode, Information Society, and Erasure to name a few.            As a whole, there are a lot of influences in here, and it seems to cross            the decades. While the topic of this album predates its release by 75            years, the focus is primarily on the year 1931. However, the instrumentals            behind the music have modern leanings. Green Day wins a Grammy while            Planet P Project goes completely unnoticed. That's totally unfair and            just goes to show how out of whack the music industry has become these            days. This album is absolutely equipped for the airwaves when you consider            all the popular influences it draws in. 
The theme is part of            a trilogy of albums prefaced with the title "Go Out Dancing".            This is part one, and it centers entirely on the thirties. The albums            to follow will focus on later eras. This one, in particular, gets into            the hate and propaganda found during World War II, hence the title of            the album. It studies and scrutinizes the public policy, the media,            and the ethics of the time. The concept is very intriguing, yet it literally            never loses a beat in its efforts to adhere to the lyrics. This demonstrates            fine craftsmanship and timing as the format is never formulaic. The            listener is neither lost nor overwhelmed. The composer, Tony Carey,            utilizes some fantastic harmonies that fall somewhere between the borders            of sense and sensibility. Planet P Project should be added to your list            of new discoveries. It's an essential part of any prog rock aficionado's            collection. The sequels should also be on everybody's wish list. I know            they're certainly on mine. 
This review is  available in book format (hardcover and paperback)   in              Music Street  Journal: 2005 Year Book Volume 2 at https://garyhillauthor.com/Music-Street-Journal-2005. 
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