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	|  Various Artists
 
  Encores, Legends and Paradoxes
 
  Review by Gary Hill
 
 With a cast of players that reads          like a prog "who`s who", this ELP tribute takes the classics and makes          them fresh and new again. The result is an incredibly listenable piece          of music that really entertains. The release date for this one is April          6th. The musicians on this album are Peter Banks (Yes), Martin Barre (Jethro          Tull), Robert Berry (Hush, 3), Marc Bonilla, Geoff Downes (Yes, Asia),          Trent Gardner (Magellan, Explorer`s Club), Wayne Gardner (Magellan, Explorer`s          Club), Jerry Goodman (Mahavishnu Orchestra, Dixie Dregs), Matt Guillory          (Dali`s Dilemma), Glenn Hughes (Trapeze, Deep Purple, Black Sabbath),          Igor Khoroshev (Yes), James LaBrie (Dream Theater), Pat Masteletto (King          Crimson), Erik Norlander (Rocket Scientists), John Novello (Mark Isham,          Chick Corea, Richie Cole), Doane Perry (Jethro Tull), Simon Phillips (Mike          Oldfield, Frank Zappa, Toto), Mike Portnoy (Dream Theater, Liquid Tension          Experiment), Mark Robertson (Cairo), Jordan Rudess (Dregs, Dream Theater),          Derek Sherinian (Dream Theater, Platypus), John Wetton (King Crimson,          UK) and Mark Wood (TransSiberian Orchestra). This is what Keith Emerson says about the album, "Sometimes music          has to be spun completely on its axis until some of it flies off and sticks          somewhere. `Progressive rock` with its accessibility severely hampered          by its playability has had a hard time forming its own solar system. But          thanks to a little `ELP from my friends, the music lives on. They`ve done          an incredible job!" This review is available in book format (hardcover and paperback) in Music Street Journal: The Early Years Volume 2 at garyhillauthor.com/Music-Street-Journal-The-Early-Years.  |  |  |  |  |  |  |  
	
	| Track by Track Review |  |  |  | Karn Evil 9 1st Impression A very strong rendition of this ELP rocker,          the piece includes some wonderful prog chops. While remaining rather faithful          to the original it definitely breathes new life into the composition.          The musicians on this number are Robert Berry, Simon Phillips, Jordan          Rudess and Mark Wood.
 
 
 |  |  |  | Bitches Crystal Featuring          Trent Gardner, Pat Mastelotto, John Wetton, Igor Khoroshev and Wayne Gardner,          this piece has a very nice groove to it, and feels true to the original          in many ways. A wonderful honky-tonk piano begins the cut, and the piano          solo later in the song is absolutely wonderful.
 
 
 |  |  |  | Toccata An          enigmatic and mysterious sounding intro leads to a piece that contains          a hard-edged fusion texture throughout much of the work. The lineup on          this track is the Gardner brothers, Pat Mastelotto, Peter Banks and Matt          Guillory. This is one of the strongest cuts on the album and is quite          dramatic. The piece is a powerful and dynamic prog instrumental that covers          a lot of musical ground.
 
 
 |  |  |  | Knife Edge Robert          Berry, Simon Phillips, Glenn Hughes, Marc Bonilla and Eric Norlander produce          another potent modernization of an ELP classic. This is a crunchy and          energetic rendition that feels like quite a change of pace from the original.
 
 
 |  |  |  | A Time And A Place This          is a very strong cut with modern prog textures. The musicians on the number          are Trent Gardner, Doane Perry, James LaBrie, Martin Barre, John Novello          and Wayne Gardner.
 
 
 |  |  |  | Hoedown There          is an almost Celtic texture to much of this one. The group of musicians          here (Berry, Phillips, Jerry Goodman, Rudess and Bonilla) create another          strong cut with this one. The number even takes on modern jazz/fusion          textures at times, and violin really adds a lot to this arrangement.
 
 
 |  |  |  | The Sheriff Featuring          nicely modern textures, this one includes some wonderful twists on the          original arrangement. The lineup for this one is Trent Gardner, Mike Portnoy,          John Wetton, Peter Banks, Mark Robertson and Wayne Gardner.
 
 
 |  |  |  | The Endless Enigma Geoff          Downes joins Gardner, Gardner and Mike Portnoy on this one. Starting in          mystical electronic tones, the cut jumps to a modern rock texture when          the rhythm section enters. This intro leads to a more balladic verse.          Some of the backing vocals to this number sound a bit like Chris Squire.          Although much of this track is quite faithful to the ELP version, it is          a very nice modernization. The high-energy prog jam (which is an instrumental          break) is brief, but powerful, and the piano solo is sheer magic. Also          featuring another exceptionally strong instrumental break near the end          of the track, this is an especially effective piece.
 
 
 |  |  |  | The Barbarian Performed          by Robert Berry, Simon Phillips and Igor Khoroshev, this hard rocking          ELP progger is carried off remarkably well. Khoroshev`s work on this number          is nothing short of brilliant, and shows that this man certainly has a          promising career ahead of him. He will certainly stand beside the keyboard          greats of the `70`s very soon. This is the strongest cut on the disc,          and is a wonderfully powerful instrumental journey with incredible musicianship          shown by all three men.
 
 
 |  |  |  | Tarkus With          a new energy and enthusiasm, this prog rock masterpiece is performed quite          well here. This cut features Robert Berry, Simon Phillips, James LaBrie,          Derek Sherinian and Marc Bonilla. LaBrie`s vocals bring a completely new          dimension to this song. This is another standout cut, which at times,          for obvious reasons, seems very Dream Theaterish.
 
 
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