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	| Track by Track Review |  |  |  | Roundabout-Robert Berry I            personally have been rather bored with the original version of this            song for years, having heard it so many times that it has lost it`s            appeal. Robert Berry (best known for his work in the Celtic rock band            Tempest) breathes some wonderful new life into this piece, reworking            it dramatically, while still retaining some of the best of the original.            Berry uses an almost minimalistic approach, while still maintaining            so much of the charm and flair of the Yes version. This song displays            a very fresh approach, and is one of the best tracks on this album.
 
 
 |  |  |  | Siberian Khatru-Stanley Snail Stanley Snail was Nick D`Virgilio (Spock`s            Beard, and guest drummer on Genesis` Calling All Stations), Mike Keneally(Frank            and Dweezil Zappa, Screaming Jay Hawkins), Kevin Gilbert(Toy Matinee,            Sheryl Crow) and Bryan Beller(Dweezil Zappa). This is a fine rendition            of one of my favorite Yessongs. The musicians here seem to want to show            that they can do the song in a very authentic mode, but still manage            to rework the piece. The majority of the cut is a near perfect take            of the piece, yet it contains a wonderful twist in a completely original            fusion based instrumental break. This is another of the best pieces            on the CD.
 
 
 |  |  |  | Mood For A Day-Steve Morse Steve Morse is best known for his work            in The Dregs. Here he puts in a very faithful rendition of this Steve            Howe acoustic guitar solo piece.
 
 
 |  |  |  | Don`t Kill The Whale-Magellan Starting            with an almost new-age based intro, the familiar piano section to this            track eventually brings the song into the main movement. This is a fairly            unique rendition, retaining much of the original performance, while            incorporating some very intriguing reworking. This restructuring includes            an almost hip-hop sort of break, some quite metallic guitar work in            places, and an interesting acappella section. This is definitely one            of the more creative renditions on this album, and contains more twists            and turns than the Yes version. The personnel for Magellan are Trent            Gardner and Wayne Gardner.
 
 
 |  |  |  | Turn Of The Century-Steve Howe and Annie Haslam This track features Yes            guitarist Steve Howe, singer Annie Haslam (best known for her work in            Renaissance). David A. Biglin accompanies the duo on keyboards. This            is interpretation is very true to the original, with Miss Haslam`s vocal            stylings adding an interesting character to a fine Yessong.
 
 
 |  |  |  | Release, Release-Shadow Gallery Shadow Gallery (Mike Baker, Carl Cadden,            Brendt Allman, Gary Wehrkamp, Chris Ingles and Kevin Soffera) begins            this one with a very creative introduction. The main body of this song            is a good, energetic, rocking work. Although the lead vocals on this            track are quite different from the original, the backing vocals are            very similar to those in the Yes performance. This is a fairly faithful            rendition.
 
 
 |  |  |  | Wonderous Stories-World Trade The personnel for World Trade are Billy            Sherwood (now a member of Yes) and Jay Schellen. This is another faithful            version, although perhaps just a bit more straightforward than the Yes            rendition. Sherwood`s vocals are quite different than Jon Anderson`s,            but they are definitely capable.
 
 
 |  |  |  | South Side Of The Sky-Cairo Cairo            is Mark Robertson, Jeff Brockman, Alec Fuhrman, Bret Douglas and Rob            Fordyce. Complete with the same explosion/wind intro present on the            original, this is an extremely well done and true execution of a song            that Yes does not perform live often (they have been quoted as saying            that it is too complex to be performed well in concert). The vocals            on this one sound more like Trevor Horn than like Jon Anderson.
 
 
 |  |  |  | Soon-Patrick Moraz This            is a very admirable reworking of this song, performed exclusively on            acoustic piano. Patrick Moraz (the Yes keyboardist who originally did            this piece) completely restructures the composition, while capturing            much of the feel of the original. This is a very pleasant and passionate            performance.
 
 
 |  |  |  | Changes-Enchant Enchant            is Ted Leonard, Douglas A. Ott, Paul Craddick and Ed Platt. Here they            put in a fairly accurate interpretation of one of the better Rabin-era            Yes tracks. The vocals do seem to leave a bit to be desired on this            one, however.
 
 
 |  |  |  | Astral Traveller-Peter Banks Peter Banks (the original guitarist for            Yes) puts in an appearance with this instrumental reworking of an early            Yes track. For a few moments, this one calls to mind the surf sound            of the early `60`s (ala The Ventures). Featuring an intriguing arrangement,            this interpretation is quite interesting and includes a nicely energetic            and dramatic build up to the conclusion of the piece.
 
 
 |  |  |  | The Clap-Steve Morse Another            fine guitar track from The Dregs` guitarist, again quite true to the            original performance.
 
 
 |  |  |  | Starship Trooper-Jeronimo Road Featuring Yes keyboardist Rick Wakeman`s            son Adam, Jeronimo Road also included Fraser Thorneycraft-Smith, Phil            Williams, Damian Wilson and Tony Fernandez (Rick Wakeman). This version            of Starship Trooper is very metallic, but does contain some interesting            arranging. I could do without the vocals on this number, but it does            feature some excellent keyboard work, showing Adam to be a chip off            the Wakeman block. The Wurm jam on this is quite effective, although            a bit short in duration.
 
 
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