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	| Track by Track Review
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	KLSTRPHK Coming in brutal            and hard-edged, this one is based in a pretty basic but tasty rock riff.            It begins a Nuge solo-fest, and in fact that makes up the vast majority            of this instrumental. It runs straight into the next track. |  
	
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	KLSTRPHK Coming in brutal            and hard-edged, this one is based in a pretty basic but tasty rock riff.            It begins a Nuge solo-fest, and in fact that makes up the vast majority            of this instrumental. It runs straight into the next track. |  
	
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	Paralyzed A            cut from Nugent's not so glorious '80's era, this one is a bit raw around            the edges here, but that is an improvement from the studio cut's somewhat            over-produced texture. Nuge turns this one into an opportunity for an            extended and rather meaty solo, but for him almost any song is an opportunity            for that. |  
	
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	Snakeskin Cowboys This one again            segues straight out of the previous cut. The main riff here is quite            meaty and solid and the Nuge really jams on it. This one is very strong.            The slower, more sedate (well, as Nugent does sedate) segment is quite            effective. |  
	
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	Wang Dang Sweet Poontang This is a classic Nugent cut, and delivered in classic Ted style. Nothing            too far out of the ordinary here, but you really can't go too wrong            with this song. |  
	
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	Free For All Always            a Nuge classic this one comes across pretty well here. In fact, this            is one of the strongest performances on the album, although it does            feel a bit slower than the original.  |  
	
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	Yank Me Crank Me Not taking            any major chances here, Ted delivers up another hot slice of classic            Nugent music. This one is another that really works well here, with            the soaring guitar riffing early on adding a lot to the cut. This is            quite a brief number. It runs straight into the next track as sort of            a first part of a medley. |  
	
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	Hey Baby Always one of Nuge's most meaty and effective riffs, this cut is a fun            one and well represented here. |  
	
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	Fred Bear (Acoustic) Doing this cut acoustically seems like an obvious choice. It really            adds a lot to the flavor of the piece. This cut is a personal favorite            of mine, and this version is very strong. |  
	
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	Cat Scratch Fever On to another classic            Nuge rocker, this one comes across pretty strong here. Again, no real            surprises, but rather meaty and fun. |  
	
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	Stranglehold Nuge really went with the meaty riff cuts here. Stick with the classics            is not a bad theory. This one is another of the best of Ted and it comes            across here quite strong. The guitar work here particularly stands out,            but it always has on this number. If anyone wants a great example of            Ted Nugent, they need look no further than "Stranglehold". |  
	
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	Great White Buffalo Yet another from Ted's classic bag of tricks, this one is delivered            in standard Nugent fashion, loud and in your face. |  
	
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	Motorcity Madhouse This is another of Nuge's classic riffs, and it really screams out here.            This is an energetic end to an energetic album. |  
	
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