Trevor Rabin’s first solo album (after leaving Rabbit and well before joining Yes), this is really (with one or two exceptions) not a progressive rock album. I’ve included it in that section because of Rabin’s tenure in Yes. Much of this calls to mind that band’s output from the years when Rabin was there, but there’s a lot of other sounds, too. Perhaps the most frequent to show up on this set are Sweet, Queen, The Beatles and ELO. All in all, it’s a good album with a couple points that transcend into brilliance.
This review is available in book format (hardcover and paperback) in Music Street Journal: 2010 Volume 2 at lulu.com/strangesound.