The music of All Over Everywhere is definitely progressive rock. That said, the rock part is often hard to find. Many times the music is closer to classical or chamber music. Still, they rock out when they want to. It’s definitely more in a traditional progressive rock sense, rather than neo-prog. The music at times crosses paths with the greats – Genesis, Yes, King Crimson and, of course, Renaissance. In many ways Renaissance is the most obvious because of the female vocals. This is a great album, however you slice it.
This review is available in book format (hardcover and paperback) in Music Street Journal: 2010 Volume 5 at lulu.com/strangesound.