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Track by Track Review
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Side One
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living in Exile on Main Street
Wow! This sounds so much like something from the classic period of the Rolling Stones. Right down to the backing vocals and horns, they nailed it. The lead vocals are recognizable as not Mick Jagger’s, but this killer rocker could pass for the real thing otherwise. |
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Full Moon Fever gone to our heads Now, this one really nails Tom Petty. The vocals come a lot closer than those on the opener did. I’d have to say that, to me, this feels more like older Tom Petty than it does like something from Full Moon Fever. Still, it would have been at home on that album. |
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checking in to the Morrison Hotel Well, I’d say this misses the Doors by more than the others have missed their targets. I suppose that if that’s the victory condition here, this one fails. That said, it’s a great song. It is definitely Doors-influenced. That’s obvious. It just doesn’t seem like The Doors themselves. Taken as a song, though, it’s one of my favorites here. |
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throwing stones at Glass Houses I suppose this sounds like Billy Joel. It’s just not one of my favorites here. It’s a good tune with the vocals being the one point that misses the mark for nailing the original artists. It’s just not really my thing. |
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the trackers send Greetings from Asbury Park, N.J.
I have to say that I’m one of a minority of people who don’t like Bruce Springsteen. For that reason, this has a lot in common with the music of Springsteen, but I’d consider it better. It doesn’t quite sound like him, and that’s a good thing. It’s obvious that it’s a nod to his sound, though. It’s enough like Springsteen to land far short of the best material here in my book. |
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Side Two |
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chopping down The Joshua Tree
Starting slow and mellow, this really does sound like U2, and particularly the Joshua Tree album. Sure, you can tell that it’s not Bono singing, but it’s a close replica. This is one of the songs on the set that works better than the rest for me. I like this one a lot. |
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doomed to Live at San Quentin The spoken parts here don’t seem quite right. The rest of the song, though, could pass for an outtake from the live recording. This does get a bit of a parental advisory, though. This is one of my favorite tunes here. |
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Who’s Next: a meta-rock opera Well, again, the vocals don’t quite pull off the comparison. The opening section actually makes me think of Klaatu, too. Beyond that, though, they really nail The Who. I like this one quite a bit. There is some pretty impressive playing at times here. |
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got our slingshot - Combat Rock Although this really doesn’t feel like the Clash to me, it’s a lot of fun. The rockabilly section even makes me think of the Stones, really. This is entertaining, but not a standout. |
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Blood on the title Tracks Musically, this one nails Bob Dylan. The vocals are better (from my point of view) than Dylan, though. I’d have to say points are rewarded for not doing the typical Dylan parody for the vocals. I mean, it’s easy, but also rather cheesy. |
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