The title track starts the album, and piano starts the title track. The piece moves out from there in some great jazz directions. This thing has some wonderful musical moments that climb into more progressive rock oriented realms. There are some pretty cool shifts and changes. I love some of the faster paced movements here. The piano solo later is classy, too. They move to some rather tribal weirdness later. The cut works out from there into more jazz jamming with some great bass work driving it. I love the more crazed prog turned jazz movement later in the piece.

This is a very freeform sort of jazz prog tune. There is some intense piano soloing at a late point in the piece. This one does wander quite a bit.

World music starts the second disc with some rather Arabic sounding vocals. The cut builds gradually by focusing on those world elements. This is very much weird RIO styled chamber music. Piano takes over later, driving it in a classical meets jazz kind of direction. After a time it shifts to a full jazz treatment. The bass seriously drives it. The cut gets less freeform and dissonant and really drives in a smoking hot jazz jam. The vocals come in over the top later as guitar and piano steer the piece in some intriguing directions. Much of the instrumentation drops away later as the piano takes it again. A false ending occurs after the ten minute mark. Then the piano works forward beyond that point. The whole thing kind of drops away at the end.