On the one hand, Nick D'Virgilio has been out of Spock's Beard for a while now. That means that perhaps the mentions of the band and comparisons aren't entirely appropriate.
Karma Review by Gary Hill Nick D' Virgilio, the drummer best known for his work with Spock's Beard, but he also served as the drummer on part of Genesis' single post Phil Collins disc.
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Spock's Beard - Beware of Darkness Review by Gary Hill The leanings on this album are widespread (Neil Young, Yes, Beatles, King Crimson), and the changes are so fast as to be difficult to keep track of at times.
Genesis - Calling All Stations Review by Gary Hill This album has been causing as much controversy among Genesis fans as Open Your Eyes has among Yes fans. Again many really like the album, while others hate it.
Ryo Okumoto - Coming Through Review by Lorraine Kay One of the most sought-after musicians in the prog-rock scene and then some, keyboardist Ryo Okumoto has earned a global reputation performing with some of the biggest names in music, including Kitaro, Natalie Cole, Phil Collins, Aretha Franklin, and Roberta Flack.
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Steve Thorne is one of the great unsung British prog heroes, a veritable one man band who has released a series of consistently well-crafted and thought-provoking solo albums, Crimes & Reasons being his fourth.
Spock's Beard - Day For Night Review by Gary Hill Day for Night is the fourth studio album from Spock`s Beard. The album is a departure from their earlier albums in that shorter numbers has replaced the fifteen-minute suites.
Mike Keneally - Dog Review by Josh Turner Nick D' Virgilio says he's done his best drumming on this album. With so much great material to date, it is hard to validate a statement such as this one.
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Steve Thorne - Emotional Creatures - Part One Review by Gary Hill What a pleasant surprise this album is! I had never really heard of Steve Thorne before, but you can bet after this one I'll be keeping track on him.
Spock's Beard - Feel Euphoria Review by Steve Alspach Well, it isn't the Spock's Beard that we've all grown accustomed to. With Neal Morse's departure, the band bares little semblance to it's old self, but that's not to say that the band hasn't lost its edge.
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Neal Morse - It's Not Too Late Review by Steve Alspach Neal Morse is showing that there are two sides to his musical persona - one as the leader of Spock's Beard, but another that shows that he is at home writing well-crafted rock numbers.
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Spock's Beard - Kindness of Strangers Review by Gary Hill Considered by many to be one of the best of the new wave of progressive rock bands, Spock`s Beard was formed in 1992 in Los Angeles.
Spock's Beard - Live Review by Gary Hill I have to admit, I haven’t seen Spock’s Beard live since the departure of Neal Morse. While this wasn’t a conscious decision, I have to admit to some trepidation about how the band would sound without their former front man.
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Spock's Beard - Live DVD Review by Gary Hill I remember when I heard Spock’s Beard for the first time way back when I wasn’t really blown away by them. Mind you, I enjoyed their CD’s enough, but they just didn’t seem to have any “magic” to them. More...
Spock's Beard - Live in Chicago IL, August, 2000 Review by Steve Alspach Opening for Dream Theater, Spock's Beard played a surprisingly short set. With their new album, "V" due out shortly, one would think that the band would have played a few songs from that album, but it wasn't to be.
In 2015 Neal Morse put together Morsefest. It was a two night event. On one night of the show, he performed his ? album, while the second night they did Solo Scriptura.
Neal Morse - Neal Morse Review by Steve Alspach On "Day for Night," Spock's Beard songwriter, frontman, and head whisker Neal Morse said that he wanted to put emphasis on the songs rather than the long suites so prevalent on their first few albums.
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Spock's Beard - Octane Review by Josh Turner Octane is accessible, progressive, modern and diverse. It's delicate at times, heavy at others.
Spock's Beard - Snow Review by Steve Alspach The parallels are amazing. A band, noticed for its work in progressive rock, releases for its sixth album an epic tale of a young man making his way in the world, only to have the band's lead singer surprisingly pack it in and leave the band.
Who says progressive rock can't be serious and showcase a spirit of fun at the same time? Obviously anyone who says that has never seen Spock's Beard live.
Spock's Beard - Spock's Beard Review by Bill Knispel Spock’s Beard needs no introduction, as they are one of the highest profile American prog bands of the past 15 years. Most everyone out there reading knows their story, and how eerily it mirrored that of Genesis; following an acclaimed double length concept album, vocalist Neal Morse leaves the band, and drummer Nick D’Virgilio takes his place at the microphone.
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Various Artists - Supper`s Ready Review by Gary Hill A tribute album devoted to the music of Genesis, Supper`s Ready is a strong work. The renditions here stay more true to the original performances than on some similar albums, but this does not take away from the relevance of the CD.
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Big Big Train - The Difference Engine Review by Gary Hill This latest disc from Big Big Train is a fine example of how an artist can combine classic progressive rock sounds with more modern textures in a mélange that, while nodding to the music of others is as a whole something unique.
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Spock's Beard - The Light Review by Gary Hill This album shows influences from many prog directions (Yes, Genesis, Alan Parsons) and nonprog directions (metal, Elton John). .
Spock's Beard - V Review by Steve Alspach The fifth album from Spock's Beard shows them to be at the forefront of current progressive music. In this album the band is able to play exciting, adventurous music without ever becoming self-indulgent or pompous.
Cosmograf is the brainchild of Robin Armstrong, a very talented British musician, writer and producer whose influences are rooted in the classic prog songbook especially Pink Floyd.
I’ve followed Spock’s Beard for quite some time and have always enjoyed their music. From the start they’ve had a great ability to merge more pop oriented sounds with pure progressive rock.