|
|
Progressive Rock CD Reviews |
Track by Track Review
|
|
Barbarian At The Gate They waste no time getting to it, jumping instantly into a frantic ELP meets King Crimson lightning fast jam. I couldn't imagine a much better disc opener coming from these guys. |
|
Nemesis This comes in at first tentatively, then bursts into a fusion-like ELP-tinged jam with a great groove. Novello puts in a very tasty piano solo in the middle of this one. Sheehan's bass seems to be everywhere on this cut. They throw in a section of KC-like slight dissonance later. |
|
Blisterine Coming in with just bass and percussion, this one stays that way for a while before the keys bring in waves of sound overtop, then eventually begin soaring overhead. |
|
King Kong Jamming this time on a Frank Zappa composition, the guys put in a retro jazzy textured rendition of the piece. This one covers a lot of territory and is a fairly long piece. It gets rather chaotic at times and drops way down and Sheehan solos to end it. |
|
Super Grande More fast paced instrumental prog jamming is on the menu here. The ELPish tendencies return on this one. They wander into a killer, more melodic movement later, but then move back into the fast paced musical explorations to carry on later. |
|
Magnetic Mood The groove on this one is an extremely cool, more laid back jazz texture. They take this one on quite a few interesting twists and turns and Sheehan gets in another awesome solo. |
|
Hair of the Dog A fusion texture begins this in an off kilter jam. Suddenly it shifts gear to dissonant symphonic music for a few measures before coming back to where it came from. This twists around later into a nearly metal pounding jam, then turns around again into a soaring prog adventure. The symphonic section returns later for longer to crescendo to end the piece. |
|
4 ' 5 3 This is another one that has a definite ELP-like texture, but it also has a nice retro groove format. |
|
Stumble on the Truth This one is a pretty typical Niacin track, jazzy retro prog based on a killer groove. A fast paced driving break, though, is off kilter just a little King Crimson like. |
|
Club Soda This fast paced retro sounding jazz prog cut is based on a killer riff. They put in some awe-inspiring instrumental modes over top of this and change it up later to an ELP-like section at a few points. This turns into an incredibly awesome later with simulated non-lyrical vocals lending a bit of an African texture to the piece, and the band jam like madmen there. |
|
No Shame This comes in with something that feels like scat singing, only there is no voice. This bouncy jazzy groove really rocks. |
|
Clean House Here we get more trademark Niacin in the form of a smooth, funky jazzy retro prog groove. There are no earth shattering change ups here, just good, clean fun. |
|
Extra Special Bonus Track - Foot Prints In The Sand This is still more vintage Niacin - a good rocker and a smooth close to the disc. |
|
You'll find concert pics of this artist in the Music Street Journal members area. |
|
|
|
|
|
This work is licensed under a
Creative Commons Attribution 3.0 United States License.
|
© 2024 Music Street Journal
Site design and programming by Studio Fyra, Inc./Beetcafe.com |