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Track by Track Review
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Silver and Gold Williams puts in a laid back, fairly traditional rendition of this Christmas classic. The sax and her soulful performance later are strengths. |
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Joy To The World She takes a bit of liberty with this one, taking it into soulful directions at first. That section is only so effective, but as it shifts to a funky, she turns in a duet rendition with Brian McKnight that really smokes. This one is definitely a highlight of the disc. |
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Mary's Little Boy Child This one has an island rhythm. Hey, they celebrate Christmas in the tropics. This is an interesting, but not standout number. |
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Silent Night A fairly classical approach starts this. As the familiar verse enters, it's in a dramatic and lush arrangement. Williams' performance is spot on, and this section works quite well. I think they take the arrangement a bit over the top later, but it's all a matter of degrees, and this is a strong rendition nonetheless. |
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Winter Weather This is a swinging old-school jazz performance of a Carpenter's song and really leaves you wishing to hear Williams do a whole album like this. |
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Little Drummer Boy Williams plays this fairly utilitarian at first, and it works well. As the gospel arrangement joins later, though, it just doesn't work so well. So, this one is a mixed bag. When it's on, it's on, but at times it misses. |
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Merry Christmas Darling This is a slow jazzy number, but more of a sultry modern vein than "Winter Weather". Still this one is another highlight of the CD and includes a killer organ sound. |
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Rise Up Shepherd and Follow This is a bouncy gospel sort of piece, but it leaves me a little unimpressed. It's not bad, just not as strong as a lot of the material on show here. Still, when they ramp up the intensity later it works better. |
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Prelude - I Dream A World Based on neo-classical stylings, this short classy piece features Ossie Davis putting in an inspired reading of a poem by Langston Hughes. It's a nice touch. |
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December Lullaby This is a funky, more straightforward R & B jam. It's not a standout cut, but entertaining nonetheless. |
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The Holly and The Ivy This one takes on a rather Celtic texture due to the appearance of Irish duet Cormac Breatnach and Martin Dunlea. It's a strong number, but I have to admit that's partly because of it's one of this reviewer's favorite holiday songs. |
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Christmas Is Here Williams goes back to the old school swinging jazz arrangement, and this one really smokes. Bravo, this is a new killer Christmas classic. It features some smoking solos and a down and dirty arrangement. This is my favorite song on the CD by a long shot. |
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Have Yourself a Merry Little Christmas This fairly stripped down rendition (it does get a bit lush at points) serves as a showcase for Williams' potent vocal skills and as a nicely charming album closer. |
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