Mario Cottarelli’s latest disc finds him performing some classic Italian progressive rock. The vocals are often in the theatrical, dramatic style so common in the genre. The music is ever changing and often too hard to keep up with in its complexity. Still, it works exceptionally well throughout.

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Keyboards bring this in and then it works out to a bouncy sort of motif for the first vocals. The cut continues changing and altering from there, though. This is decidedly Italian progressive rock, not just because the lyrics are in that language but because it has trademarks of that style in the rather old time traditional vocals and styles it drops into at times. Those familiar with Italian progressive rock will recognize the trademarks, while they might throw off the more casual listener. This is a track that just continues changing, working through territory closer to things like Emerson Lake and Palmer at times while conveying purely Italian sounds at other points. It’s hard to keep up with all the rapid fire changes when writing about the song, but as a listening experience it will never bore you. There’s even a section that crunches for a short time. If there are references to more traditional progressive rock, Emerson Lake and Palmer is certainly the most valid connection. Around the five minute mark, though, we’re taken into a rather symphonic prog movement before dropping down to a short percussion dominated movement. Then keyboards take it out from there. Once more we’re off on a series of changing movements and sounds after that.