 Vinyl Floor
 Peninsula
 Review by Gary Hill

With Peninsula Vinyl Floor seem to have managed quite a feat. In fact, perhaps one could argue they’ve achieved several accomplishments. For one thing, they’ve produced an album that feels modern but has numerous ties to older progressive rock. Since the concept of the album (the fact that it’s a concept album is one of those links in itself) relates to the yin and yang concepts of Utopia and Dystopia and their interlocked relationship, that makes sense. It’s all about dichotomy. That dichotomy is expressed not only by the varying eras referenced in the music, but also by the fact that the set is split into two sides (how’s that for a nod to the time of vinyl) with the first side representing Utopia and the second side referencing Dystopia.
The musical mix of the album is intriguing, but sometimes the sound gets a little too tied to one end of the spectrum over the other. Still, this is complex music that still manages to be compelling. It’s a link back to the days when an album was more than just a series of singles and music could make people think.
This review is available in book format (hardcover and paperback) in Music Street Journal: 2012 Volume 2 at lulu.com/strangesound.
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