The Beatles song gets a killer jazz reworking. The piano really shines on this thing, but you can’t overlook the bass work, either. The drums get some chances to shine, as well.

There’s definitely more of a groove to this one. It works through a number of changes and there’s a killer bass driven bit that’s rather playful. IN fact, the whole thing is kind of playful in some ways. The piano gets a chance to show off, too.

This number feels rather like something from Vince Guaraldi in some ways.

Extremely freeform, this one is a bit on the strange side. Still, everyone puts in killer performances here. It’s just not really my cup of tea.

The jazz groove here is quite tasty. Although it’s built in sort of a mid-tempo territory it gets a bit more speed later in the number. There are some intriguing twists and turns in this one. I particularly dig the groove that comes in late to hold it for a time.

This jam feels a bit more freeform, but it’s definitely not as chaotic as “Flat Out.” At times there seems to be a bit of a Latin vibe. The faster paced jam later is quite cool, too. There is a fairly extensive drum solo later in the number.

Piano opens this with a bluesy kind of jam. From there the whole group enter and we’re off into a slow paced jam that’s quite cool. I really love the bass driven section later, too.

The bass leads out here and from there we are launched into a rather chaotic jazz jam. The familiar musical themes from this classic tune are heard here and there. Overall, though, this is a rather crazed number.

This is a mellower, more cohesive jazz song that’s dominated by the piano.