It should be noted here (for the sake of full disclosure) that Music Street Journal writer John Pierpoint plays bass in this band. That said, this is an unbiased review. I’d have to say that I like this disc quite a bit, but it’s not without its problems. For one thing, the vocals are often a little hard to take. When they work, they call to mind John Wetton. Sometimes, though, they seem to miss the mark by just a little. Also some of the instrumental movements here just feel a little clunky. Now, let me point out, though, both of those complaints are pretty minor. They need to be mentioned as they (along with a couple moments where the production feels a little lackluster) are the things that keep this from landing into the “incredibly great” category. It’s still very good and none of those things detract from this being a satisfying listening experience. I heartily recommend it to anyone who enjoys classic progressive rock. That said, some of the prog purists might have a little problem with a couple moments that lean towards metal. I’d say, “just suck it up and enjoy. This ride is well worth it.”

This review is available in book format (hardcover and paperback) in Music Street Journal: 2013  Volume 5 at lulu.com/strangesound.

A classical piece is played amidst the sounds of a scratched record. This short introduction does a nice job of setting things up for a triumphant entrance. It powers from there with a real flair for the dramatic. It’s a hard rocking progressive rock jam that seems to touch on Yes, Genesis and other prog groups. It drops down to a mellower movement and a melodic guitar solos over the top. There’s a crescendo to end this instrumental before the two and a half minute mark.