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Non-Prog CD Reviews


Crossroads EP

Review by Gary Hill

This four track EP is quite intriguing. I’m not blown away by all four songs, but I like the first two a lot. The other two are good. They just don’t rise to the same level as the other two. The music here is sort of an urban dance vibe, like a club type music. However, that’s an oversimplification. There is more of a meaty, electronic sound here. It’s even got some space music in the mix. This isn’t for everyone, but it’s quite cool.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2013  Volume 6 at

Track by Track Review

I love the cool waves of keyboard sounds that are heard on this. The spoken vocal line is quite tasty, too. There are moments that are processed and while I normally find that cheesy, it works here. The music on this seems to sit somewhere between electronic dance music and space music. It should be mentioned that this one earns a parental advisory warning.

Steal It
As cool as the opener was, this is even better. It’s arguably more purely in the club/dance electronic type of sound. However, there is a real classic electronic music vibe to it. The vocals are even more effective than the opener, too. This is a great song.
Why You Gotta Be So Fine
Although the soulful groove on this is cool, this cut just isn’t at the same level as the first two. It’s not a bad song by any means. It just doesn’t have the same kind of magic.
While this cut doesn’t work all that well for my tastes, I really have to admire it. It’s quirky and a bit strange, but in a cool and creative way. Parts of this are fairly stripped down. Other parts have a sampled jazz vibe. This is quite a unique piece and an interesting one, at that. This one definitely earns more parental advisories, too.


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