There may only be three songs here, but when you figure that two of those songs make up over half an hour, this isn’t short on material. If you are a fan of Mike Oldfield, you’ll probably find plenty to like here. I wouldn’t say that this sounds like a clone of Oldfield’s music (of course, you’d have to cover a lot of territory to really encompass his “sound,” as it varies a lot. I would say that this occupies the same general territory as a lot of Oldfield’s output.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2015  Volume 4 at lulu.com/strangesound.

This cut is nearly twenty four minutes in length. Sedate and intricate guitar, drums and more start it. It grows outward with hints of psychedelia at times. There are no quick changes on this. Nor are there any huge changes. All that said, it does shift and grow. There are things here that make me think of Pink Floyd a little. Overall, though, I think Mike Oldfield would probably be the closest comparison. Some of the later sections really make me think of space rock a bit. Guitar soloing is the factor that stays constant throughout the piece.