This is more of a ballad. The strings bring something special to it. There are definitely some Beatles-like elements here. All in all, this is a classic tune that works particularly well.

"Folk prog" is without question the correct label for this song.  The mellower verses are more in line with a psychedelic folk music, but when it powers up it's full on prog. The strings are again an integral part of the piece.

I can definitely hear some Beatles influence on this number. I love the bass line. This is an energized rocker that's perhaps more straight-ahead rock than it is prog, but there are enough touches of proggy things here to keep it there. The piano dominated jam later is great.

Coming in jazzy, I'm definitely reminded of Traffic as this makes its way forward. There are some bits of psychedelic sound here. The piano soloing is the real star of this short instrumental, though.

While folk and psychedelia are the main leanings here, this makes me think of Procol Harum in a lot of ways. I like the female choral vocals. The general hooks really sell it, too. This is a catchy cut that still has plenty of proggy meat on its bones. The horns later in the track bring something special to it, too.

There is no huge change here. This is a mid-tempo psychedelically tinged number that works quite well. It's part folk rock and part prog. The echoey guitar soloing on the extended closing section is really classy. This is another tune that makes me think of the Beatles a bit.

To me this feels a lot like what a cross between Captain Beyond and Nektar might sound like. There are more folk rock styled sections here as this moves forward. I dig the acoustic guitar soloing. The whole piece is pretty classy stuff.

The introduction here is orchestral with bombastic bits of some familiar classical music. The cut shifts from there to a British sounding old time music, like the kind of thing Queen often did. There are bits of horns and strings as this grows forward. In a lot of ways it has plenty of that folk rock texture built into it. This is a very theatrical piece that perhaps gets a little over the top in terms of its arrangement. They break out in another jam that reminds me of Traffic for the second half of this extended number. That part doesn't suffer from the over the top element. The first part of this instrumental movement is done without horns and strings, with piano driving it. Those elements are added to the mix later but don't seem overdone at all. Then the whole thing drops back to the earlier mellower old-time music after the climax of that movement. Another instrumental comes in later that's full on symphonic prog and quite bombastic. It really makes a great closer for the album proper.

This was released as the flip side of the "Rainbow Chaser" single. This is another instrumental. This time, though, guitar really drives this. It is sort of a rock and roll jam. Mind you, even though there is a big focus on the guitar, other instruments get to shine, too. I'm reminded just a little of the Grateful Dead on this thing. The powerhouse prog jamming later in the track really rocks it out into the stratosphere. As strong as this cut is, I'm shocked that it wasn't on the album proper. It's actually one of my favorites here.