| Track by Track Review
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Mixes in Scintillating Stereo
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You’re so Wrong
Some general sounds, like a person walking and perhaps shifting on an amplifier open this. From there it drives out into a rocking jam. This is energetic, rather catchy and quite cool. |
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Domino
This old school rocker gets an intriguing telling here. It has a real old school blues rock sound built into it. There is a raw edge that serves the tune well, too. |
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Ain’t It Good to Be in Love
I love the horn section on this. This has a real retro rock sound, but with a harder, rawer edge than was common in the older music. |
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Good Time Charlie
There is some killer mellower texture built into this piece. It's another slab of retro-styled sound. It's also another effective piece. I love the guitar soloing on it, but ignore the piano at your own risk. There is a real country twang to this number. |
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Troubles Come in Threes
A high-energy, blues rocker, the guitar soloing on this is purely on fire. We're more in the territory of Stevie Ray Vaughn with this piece. It's so tasty. |
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Still Me, Sane & Free
A bit more of a jazzy blues groove is at the heart of this. It has a soulful kind of vibe. It's not as fierce as the cut that preceded it, but the guitar solo section really screams nonetheless. |
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Truth Is a Misty Mountain
An energetic rocker, this is quite tasty. It has a bit of a soaring spirit to it. There is some scorching guitar soloing and a cool little bass showcase after. This has some definite jazz built into it. |
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Whippin' Post
This old chestnut is screaming hot as delivered here. It has some great guitar soloing and really rocks. The acapella bit before the closing flourish seems a bit drawn out to me, though. |
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You’re so Wrong (Radio Edit)
As you might guess from the title and parenthetical, here we get a radio edit of the opening song. I think it might actually work a bit better in this format, not that there was anything wrong with the other version.
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Mixes in Magnificent Mono
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You’re so Wrong
Some general sounds, like a person walking and perhaps shifting on an amplifier open this. From there it drives out into a rocking jam. This is energetic, rather catchy and quite cool. |
|
Domino
This old school rocker gets an intriguing telling here. It has a real old school blues rock sound built into it. There is a raw edge that serves the tune well, too. |
|
Ain’t It Good to Be in Love
I love the horn section on this. This has a real retro rock sound, but with a harder, rawer edge than was common in the older music. |
|
Good Time Charlie
There is some killer mellower texture built into this piece. It's another slab of retro-styled sound. It's also another effective piece. I love the guitar soloing on it, but ignore the piano at your own risk. There is a real country twang to this number. |
|
Troubles Come in Threes
A high-energy, blues rocker, the guitar soloing on this is purely on fire. We're more in the territory of Stevie Ray Vaughn with this piece. It's so tasty. |
|
Still Me, Sane & Free
A bit more of a jazzy blues groove is at the heart of this. It has a soulful kind of vibe. It's not as fierce as the cut that preceded it, but the guitar solo section really screams nonetheless. |
|
Truth Is a Misty Mountain
An energetic rocker, this is quite tasty. It has a bit of a soaring spirit to it. There is some scorching guitar soloing and a cool little bass showcase after. This has some definite jazz built into it. |
|
Whippin' Post
This old chestnut is screaming hot as delivered here. It has some great guitar soloing and really rocks. The acapella bit before the closing flourish seems a bit drawn out to me, though. |
|
You’re so Wrong (Radio Edit)
As you might guess from the title and parenthetical, here we get a radio edit of the opening song. I think it might actually work a bit better in this format, not that there was anything wrong with the other version.
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