This is without question progressive music. That said, I'm sure some people are likely to argue with its placement under prog. That's because it has elements from types of music not normally associated with progressive rock. The main one of those is hip hop, but techno is another. Beyond that, this is associated with the newer school of prog more than the older, but it's definitely prog. I've marked a few songs here as having earned parental advisories for the lyrics, but I probably missed one or two. I would say that you should generally just assume parental advisories for everything except the instrumentals and you'll be pretty close to accuracy.

This review is available in book (paperback and hardcover) in Music Street Journal: 2020  Volume 2. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2020.

This number has some intriguing changes and differing movements. It has some cool grooves at times. While it's set largely in prog zones, it also includes a rap later in its run. I love the piano breaks on the piece, too.

 There is a sound-bite at the start of this that has a real cinematic vibe, including some dramatic and ominous monologue. Electronic elements emerge to guide it forward. The spoken voice returns to continue the monologue as the cut is building upward in almost symphonic ways. Other than those sound bite bits, this is an instrumental.