Piano starts things here. They launch out into some classy jazzy from there. This thing gets pretty powerful as it works its way forward. It lands more or less along the traditional jazz end of the spectrum, but does get adventurous at times.

Wandering a little more toward fusion territory, the piano is a prominent feature on this number, too. This is powerful and has some great melodic moments.

A big hunk of this is a piano solo that has some magical sound built into it. Other instruments join late to further develop the number. It’s a classy piece.

Things get dramatic, weirder and more fusion-oriented here. This is a unique and intriguing track that really qualifies as art music. It has some really freaky stuff built into it at times.

There is a killer jazz groove on display here. This thing is packed full of drama and style. It’s all class.

The bluesy, traditional jazz groove on this is great. It’s packed full of emotion and just oozes cool. The bass dominated part of this takes us into more adventurous territory.

With both fusion and more traditional jazz built into it, this track is a real powerhouse that works extremely well. I’d consider it one of the highlights of the set.

There are some fusion-like angles on this, and I really love some of the bass work so much. This is a great piece that is another standout. It has some great traditional jazz in the mix at times, too, though.

Balladic and pretty, this is slow moving and has some particularly expressive piano work.

This really does have a joyful vibe to it. It’s energetic and fun. It’s not really on the fusion side of things, but it’s a great time.

Featuring non-lyrical vocals, this track is an intriguing one with a lot of beauty built into it. It’s basically an atmospheric sort of piece built almost entirely around that chorale vocal element.