Gentle folk music stylings bring this into being. The cut has some cool roots music vibes. It’s sedate and effective. It gets bass and drums added further down the road, intensifying it just a little.

This one is exceptionally mellow and stripped back, built on just acoustic guitar and vocals until later in the track. As strong as the opener was, I think this is better yet.

While this has a little more energy, it’s still a full-on folk tune. It brings a little country to the proceedings, too.

Not a big change, this is another solid folk song. The vocal performance really sells it more than anything else.

Mellow and stripped back, this cut has a lot of charm and style. It’s not a big departure from what we’ve heard so far, though.

This is not far from acapella at times. Both the bass and drums on the track are prominent. This doesn’t represent a little bit of a change, and it’s intriguing.

The bass plays a main role on this one, too. This is another with a much sparser arrangement. It’s also another standout, even when the arrangement fills out later.

This might be my favorite track on the disc. It’s intricate and mellow. It has a lot of magic built into it.

I dig the roots music vibe on this quite a bit. It leans toward folk rock territory. It’s also one of the stronger things here.

This short number is entertaining but not really a standout.

This is unusual. It’s almost acapella with several layers of vocals accompanied just by percussion. While it’s not one of my favorite things here, I appreciate the variety it brings.