Jazz and classical music merge on this track. It features harp, but also piano and more. It’s intriguing and potent.

World music and more merge here. This is unusual, but also captivating. It gets into some zones that call to mind traveling.

This is short and a little on the weird side. It’s also cool and very artsy.

Coming in sedate and building out gradually, eventually becoming inspired and powerful jazz with a lot of classical built into it. It continues to shift and change from there.

Piano gets things underway here. This has a nice energy and a lot of classical music built into it.

This is experimental and very artsy. It’s pretty free-form and very cool.

This is mellow and pretty. It’s quite dreamlike in a lot of ways.

Now, this is totally freeform and experimental. As strange as it is, it’s also compelling.

I love the vibes and moods of this track. It has a lot of style and charm. It grows nicely.

The unique and experimental angles are definitely present here, too. This is short, but quite interesting.

Coming in more melodic, classical and jazz styles merge on this number. It does turn more freeform in some of the frantic jamming later.

A mellower and quite pretty piece of music, this is a nice respite.

The frantic jamming that brings this in makes me this of King Crimson somehow.

More experimental and freaky stuff ensues on this one. Yet there are also hints of melodic world music and other moments where it gets more grounded.

This is another track that lands in the freeform zone. It has some non-lyrical (or at least non-English language) voices, too. It’s quite an intriguing cut that grows outward as it evolves.