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Kathy Sabol

The Great Divide

Review by Gary Hill
This album is definitely a case where less would have been more. There are some strong pieces of music here. There are also some that just feel a little less. There is one that just doesn’t work. There is another that could have used more time getting the mix right. All of those things contribute to a set that is pretty good. The problem is, if some of the tracks had been dropped and more time had been spent perfecting a couple of the others it could have been a much better album. Then again, people often listen to just a track or two instead of a full album these days. There are definitely songs well worth that.

This review is available in book (paperback and hardcover) form in Music Street Journal: 2025  Volume 2. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2025.

Track by Track Review
Satellite
Driving in hard edged, this has almost an arena rock vibe. The vocals feel a little too high in the mix, but not to the point of being annoying. This rocker works well, and makes a great opening salvo.
Mirage

This is more pop oriented, but it still has some rock energy. The mix is a little more of an issue here, but again it’s not the level of being really distracting.

In Love Alone

There is something that just feels jarring and off about this track. Some of it is the mix. Some of it is the way the different parts interact. Whatever it is, though, this one is a failure as far as I’m concerned. I’d skip this one. There are some things here that do work, but you have to get through some of the other parts to hear it. I don’t think it’s worth it.

Anyway

Piano strings and male vocals open this. It again feels a little awkward, but not as bad as the previous tune. It’s a balladic piece that has some definite charms.

Stop Me

More of a pop styled piece, this is better than some of the rest. It’s sort of a power ballad motif. It has some particularly potent music as it soars later.

The Wheel

Another ballad with male vocals, this one works better than the previous one did. It shifts to female vocals later, and the track gets more intense further down the road, too. It’s another winner.

The Great Divide

The energy on this is good. There are hints of jazz in the mix. There are also elements about it that don’t work all that well together. This is a track that seems like it should be better than it is. It’s not bad, but it seems like it should be a standout if done a little better.

Find My Way

Featuring both male and female vocals, this also has a symphonically arranged song structure. This is one of the highlights of the disc. It just works really well. It has great energy and evolution.

Ghost of You

This is a powerful, proggy piece of music. It has some powerful and evocative sections. It’s a bit more rocking than some of the rest. There are some hints of psychedelia, too.

Back to School

On the one hand, this is a cool rocker that has some intriguing changes and some hints of prog. The thing is, the mix feels a little muddy and lacking. This is another case where it’s a shame because this could be so much better than it is. It has the hooks, the performance and the song stricture to be a pure winner.

Need to Know

A bit more of a mainstream power ballad approach is on the menu here. It is effective, but a little too middle-of-the-road for my tastes.

Twilight Passage

This is a pretty interlude that uses more symphonic elements and non-lyrical vocals to present a beautiful arrangement. It’s one of my favorite tracks here.

Shelter Me

Piano and strings create the backdrop for the entrance of male vocals. The track works out to more of a rocking arrangement after the first verse.

Shaken

This has a good energy and flow. It’s a symphonically arranged tune. It’s another standout.

Here

More balladic, this is evocative and rather pretty. It isn’t really a highlight, though.

Belong With You

A duet, this is rather precious in its mellow arrangement. It’s pretty effective, but a little samey.

 
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