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Tim Hort

famine

Review by Gary Hill
Here we go again. This guy certainly makes some bad decisions in terms of names and titles. First, he releases albums under the moniker “The Radio Hour” And, two of those releases bore his name Tim Hort as their titles. As if that wasn’t confusing enough, now he jumps ship and starts using his name as his artist name. It seems that would have been a better decision to make before releasing those two sets. Once he committed to that, the wiser move would have been to just keeping going as “The Radio Hour.” But, here we are.

Here’s what makes all that really frustrating. Hort’s music is generally very good. It has a great retro vibe and sound, and it just works so well. I think Hort has really shot himself in the foot with all the odd naming decisions. Whoever is making these calls is doing him no favors. Establishing an identity and name recognition is an important part of building a fan base. This music deserves a fan base, so I really wish he would have avoided the weird naming missteps.


This review is available in book (paperback and hardcover) form in Music Street Journal: 2025  Volume 3. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2025.

Track by Track Review
July Island

This comes in mellow with a mellow sounding retro rock vibe. The cut grows out with a lot of style and charm. It really feels like something that would have been at home in the 1970s. It has some particularly tasty guitar work later.

Dissolve

This is more introspective. It’s equally retro-based. It’s also very effective. If anything I like this rather folky, bluesy number more than I did the previous tune.

From the End of the Earth

A weird, distorted piano section that feels like a messed up recording starts this. It plays through. Then the tune works out to some more mainstream rock sound. It’s slow moving and artsy.

Chain and Sky

More involved and rocking, this is all class. It has plenty of magic and charm built into it.

491

This is a short cut based on intricate guitar. It’s really an instrumental, but there are some spoken voices back in the mix later.

Seems Right

Not a big change, this is another solid hard rocker with plenty of classic sound built into it.

Spires in the House

This is more of a folk rocker, and it’s very effective. It’s a good way to bring the album down to Earth to end.

 
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