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Neal Morse-It's Not Too Late |

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Review by Steve Alspach |
| Overall Review |
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Neal Morse is showing that there are two sides to his musical persona - one as the leader of Spock's Beard, but another that shows that he is at home writing well-crafted rock numbers. There really isn't anything on this album that one could label as progressive, but the album still deserves a listen. This collection of thirteen songs, written over a period of 20 years, are heavy on melody, without pretense, and can be used as a primer on songwriting and arranging. The artists on this album are: Neal Morse, vocals, guitars, bass, piano, organ, synthesizers, mellotron, percussion, and drums; Nick D'Virgilio, drums; Susanne Christian, vocals; Debbie Bresee, vocals; Letty Jones, French Horn; Jim Hoke and Neil Rosengarden, horns; Greg Westall, electric guitar; Brad Wetmore, bass; Jordan Zimmerman, drums; and Chris Carmichael, strings. |
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Track by Track Review |
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It's Not Too Late:
This piano-heavy
song sounds a bit like Elton John on one of his gospel kicks. Morse
has a fun time with this one, in fact exclaiming towards the end "I've
been wanting to do this for years!" |
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Leah: A
slow ballad about a man caring for a young girl after her mother leaves,
this song is indicative of Morse's willingness to explore human emotions.
To his credit, though, he doesn't get maudlin or go for empty tear-jerking.
This is another song that's heavy on keyboards. The Change: This may be the most likely to appear on a Spock's Beard album, but it's still a straight-ahead number. Morse makes this an acoustic rock song with a great hook. The acoustic guitar, optimistic lyrics, and female backing vocals add a sense of warmth, and the latin-tinged percussion tops things off quite well. Broken Homes: This
is solo Neal - simply the man and his guitar. A rather poignant look
at men who abandon their parental responsibilities, this number can
be filed under "folk rock." Like Springsteen's "Nebraska", it works
best in an understated environment. The Eyes of the World (George's Song): Dedicated to a friend of Neal's who passed away in February 2001, this song explores a spiritual side to the loss of a friend. Morse plays all the instruments on this one, and it has a simple George Harrison-like solo with a touch of slide. Ain't Seen Nothing Like Me: An acoustic bluesy smoker that ties in biblical stories with the woman's viewpoint that "You Ain't Seen Nothing Like Me." I Am Your Father: Neal goes back in time on this one - the song was written in 1982 and he enlists the help of his old bandmates from the 80s (Westall, Wetmore, and Zimmerman) to play on this one. It is another strong lyric set to a slow, keyboard-based arrangement. Something Blue: Morse returns to the mid-tempo rock on this one. "Something Blue" looks at the everyday life that the protagonist muddles her way through. A string section in the break takes a few interesting turns. The Wind and the Rain: This is a somewhat moody piece, but has some jazz inflections. The mellotron is put to good use, adding dramatic touches in the verse and chorus. Morse goes on an extended piano solo at the end, that is melodic and inventive. He and D'Virgilio play well off of each other, and it may be time to give credit where credit is due - Neal Morse could be one of the top piano players in all of rock music right now. |
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