Ohmwork Review by Gary Hill Ohmwork is the latest album by the outfit Black Sabbath bassist Geezer Butler belongs to as his side outlet. The group is not really a solo project, but more band, therefore it is little like Sabbath in terms of sound.
Black Sabbath - 13 Review by Mike Korn Well, it seems like time to tackle this monumental release. Expectations and anticipation for 13 have been so high that a review is a daunting prospect. More...
Various Artists - Bang Your Head 2007 DVD Review by Gary Hill I have to admit that sometimes I get put off by a lot of modern metal festivals. I’m not a big fan of growling death vocals (there are some I can deal with, but few) or other forms of extreme voice tactics.
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Black Sabbath - Black Sabbath Review by Gary Hill Released in 1969 in the last days of the hippie era, Black Sabbath`s debut had definite roots in what had come before, but was a major change in tone.
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Black Sabbath have had many lineups, but the one era that seems to always get overlooked is the Tony Martin fronted era.Martin sang on five studio releases, yet more people talk about the Ian Gillan version that only produced one record.
Black Sabbath - Heaven and Hell Review by Gary Hill I was a huge Black Sabbath fan when this disc came out. I suppose I should clarify that by admitting that I still am.
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Black Sabbath - Live at Hammersmith Odeon Review by Rick Damigella While the reformed Dio-era Black Sabbath (under the moniker Heaven & Hell) are touring to packed venues across the country right now, Rhino Handmade (the short-run, collector’s edition division of Rhino Records) has just released, and sold out of, Black Sabbath Live at Hammersmith Odeon to a rabid Sabbath following.
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Black Sabbath - Live at Ozzfest, 2004, East Troy, WI Review by Gary Hill Ever since their original reunion with Ozzy I have made a point to see Black Sabbath whenever they came around. This time marks the 6th time I saw the lineup, and of all the shows, it was the weakest.
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Heaven and Hell - Live from Radio City Music Hall Review by Rick Damigella Next year may be the 40th anniversary of Black Sabbath, but 2007 will be forever known in the lore of heavy metal as the year of Heaven & Hell.
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Black Sabbath - Live in Chicago, IL, June 8th, 2001 Review by Gary Hill Having seen Sabbath the last couple times around, I was expecting another similar show - a band of living legends performing as legends, going through the motions of repeating the performances from their glory days. Not that that would not have been enjoyable, I signed on for two days of Ozzfest just for that experience two more times
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Black Sabbath - Live in Chicago, January 19, 1999 Review by Gary Hill Black Sabbath really invented the genre of heavy metal, and, to this day performs the genre in a way that many have copied but none have duplicated.
Heaven and Hell - Live in Hoffman Estates, IL, September, 2007 Review by Greg Olma For those of you who don’t know who Heaven and Hell is, it is basically Black Sabbath Mk III. Although the original lineup is considered the best (not by this writer), this version definitely has a high regard among all heavy metal fans.
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Black Sabbath - Master of Reality Review by Gary Hill Black Sabbath’s third album is often overlooked. The first two were really defining a sound so they get more of the limelight.
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Various Artists - Nativity In Black Review by Rick Damigella It is safe to say that while there were forces all happening simultaneously in music in the late 60’s, which would later be regarded as the elements from which heavy metal evolved. One band crawled forth, nay, stomped out of, the primordial ooze of the late sixties music scene to single handedly create an entirely new sound heretofore unheard coming from the speakers of stereos of the youth of the world.
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Black Sabbath - Never Say Die Review by Gary Hill Black Sabbath were arguably the creators of the heavy metal genre, but were never really happy to rest on their laurels for that accomplishment. They generally have pushed the envelope in many ways touching on musical styles which most metal bands consider out of their realm.
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Black Sabbath - Paranoid Review by Gary Hill The second album from Black Sabbath, this isn’t quite as revolutionary as their debut, but that’s probably because of how groundbreaking that one was and the fact that this builds on the music they created there. More...
Ozzy Osbourne - Prince of Darkness Box Set Review by Patrick Hennen I'm here today to let you know about the new 4-disc box set by Ozzy Osbourne, entitled, appropriately, "Prince Of Darkness".
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Black Sabbath - Reunion Review by Gary Hill Reunion represents the first performance of all the original members of Black Sabbath as a unit since 1979. The album is a two-disc set that consists of concert recordings from December of 1987 teamed with two new studio cuts. The band is back in all its glory.
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Black Sabbath - Technical Ecstasy Review by Gary Hill A controversial album for Black Sabbath, this disc found them stretching into new and untried directions. The trademarked Sab metal is still present, but it is joined by other diverse sounds.
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Black Sabbath - The End BluRay/CD Review by Gary Hill I have to admit to being a huge Black Sabbath fan. I've seen them live quite a few times. They are one of my favorite bands.
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Black Sabbath - The Last Supper-DVD Review by Gary Hill As both a die-hard Black Sabbath fanatic and one who was fortunate enough to see the band several times on their reunion tour, I was really looking forward to this DVD. The quality of the performance, the videography and sound all lived up to my expectations, showing just how phenomenal of a tour this was.
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Black Sabbath - The Rules of Hell Review by Rick Damigella Like the opening of an arcane tome of eldritch and forbidden knowledge, Black Sabbath’s The Rules of Hell have been put forth. After a seeming eternity of a wait, every album from the Ronnie James Dio-era of Black Sabbath have finally been given a proper re-mastering and re-release in this must have box set.
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Black Sabbath - Volume IV Review by Gary Hill I must have a thing for falling in love with over looked albums. Some of my favorite discs in artists' catalogs are the ones that seem to have fallen by the wayside.
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