The Bringer of Dreams (Special Edition) Review by Julie Knispel The Bringer of Dreams is Pallas’s first studio effort in 4 years, following on from the powerful and successful The Cross and the Crucible. Much like its predecessor, this new album could possibly be termed a concept album, but perhaps only in the loosest of terms.
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The Cross and the Crucible Review by Steve Alspach One of Scotland's finest, and longest running, progressive bands strikes again with this album. It's an ambitious effort, full of gothic choirs and grandiose themes involving theology and the origins of man.
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With both High Voltage and Glastonbury shelved this year due to the London Olympics, there appeared a real gap in the market for a quality summer music festival in the capital ahead of the Games.
The opening slot of the High Voltage Festival went to the rejuvenated Scottish neo-prog rockers whose new lease on life has come through the release of XXV, their critically acclaimed follow-up (albeit 20 years later) to The Sentinel.
The past two years have been a real step into the unknown for former Pallas frontman Alan Reed who parted company from the band nearly three years ago in acrimonious fashion.
Caamora - She Review by Bill Knispel Everything bigger than everything else. That seems, in many ways, to be Clive Nolan’s modus operandi.
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Caamora - She Review by Bill Knispel Repeatedly in my review of the album She, I make reference to how impressive this material might be if staged as a musical.
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You'll find concert pics of this artist in the Music Street Journal members area.
