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CD Reviews
The Seven Dreams
Review by Gary Hill

This is definitely not a disc that’s for everyone. It’s very freeform. At times it’s jazz like.


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Tim Motzer - and Markus Reuter – Descending
Review by Gary Hill

Moody and ambient music creates the format for these sedate soundscapes. There aren’t huge variants here, and everything moves very slowly, but it never feels redundant or samey either.


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Reuter Motzer Grohowsky - Bleed
Review by Gary Hill
This instrumental set is intriguing and powerful. It's got plenty of King Crimson-like sound built into it, but there are also hints of space music, fusion, jam band stuff and more here.

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Adrian Belew - Live in Buffalo, New York, March 2008
Review by Sonya Kukcinovich and Grant Hill
Adrian Belew: A legendary name, brought into the limelight by the great Frank Zappa, mainstay of King Crimson fame for the past 27 years, edgy contributor to Nine Inch Nails, David Bowie, and The Talking Heads, session guy to countless others of nearly every modern musical persuasion, and intricate, creative band leader of his power trio,  lyricist and fine artist, and a  middle aged bundle of energy.
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Alex Carpani - Microcosm
Review by Gary Hill
I have previously reviewed quite a few releases from Alex Carpani, yet I don't think I was prepared for this one.

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Percy Jones, Alex Skolnick, Kenny Grohowski, Tim Motzer - PAKT
Review by Gary Hill
I have to say that there seems to be some confusion about the name of this act. I've seen it listed with the group name the same as the album title.

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Reuter Motzer Grohowsky - Shapeshifters
Review by Gary Hill

Markus Reuter in combinations with various musicians has created quite a catalog of intriguing instrumental progressive rock. This new collection with Tim Motzer and Kenny Grohowski is no exception.


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Adrian Belew - Side Four
Review by
Side Four is The Adrian Belew Power Trio live follow up to his already well received Sides One, Two and Three. With everything from the cover art work to the unique song titles being steeped in the Belew tradition of coming at you from left field, his musical approach actually makes total sense, with a unique respect for harmony, melody, sound, texture, color, and feel.
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