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	| MSJ: This interview is  available in book format (hardcover and paperback)    in                     Music Street  Journal: 2006 Volume 1 at lulu.com/strangesound. 
 It's been awhile since we chatted          and knowing you, you've been up to a lot. Would you mind catching up the          readers on what you've been doing for the last couple of years?
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	| Yes, my life has been very          busy. As you know I have quite a few different facets to my musician's          life and to keep the ball rolling forward in all directions is sometimes          a challenge. My production schedule at Soundtek has been busier than ever.          As of late producing a singer from Russia Gelena (pop) a young female          pop/rock artist Sheida, and right before the end of the year one of my          favorites, Magna Carta artists Tempest. Along with making sure my young          family does their homework and practices their piano lessons. I joined          the band Ambrosia and toured the last two summers on lead vocals and guitar.          And I have also been getting a Prime Cuts album ready with some new versions          and new tracks to be released by Magna Carta. Oh yeah, and I found a few          hours in the last few years to sleep also. | 
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	| MSJ: From looking around at your          web site- which appears to need some serious updating, by the way, there          seems to be a decent number of recordings on which you've worked that          haven't been released. Have you thought about fixing that situation? | 
	
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	| It's funny that a few          of those projects are so important to me that I have been waiting for          the right time to release them. That said, I always tell my clients that          they shouldn't keep their albums in a dresser drawer. Get them out there          however you can. And I haven't even taken that advice myself. So this          year is the year where all that becomes available. Schleptones is a rockin,          polka, ska mixture. Take Cheap Trick, Mighty Bosstones, and Talking Heads          and you have Schleptones - accordion, trombone, heavy on the beat and          Polka. Do I sound confused? Also the song and video "Wait" is          going to be put up in its full version on my site. This is one of my proudest          moments and I've been saving that for the right moment. And to tie this          all together, this all happens the same time my new web site is launched.          Pat Moore, my studio assistant and right hand man, has a great site just          about ready to go. It is more complete and in depth on all aspects of          my career. And there is more of my guitar collection on there also, which          is the only real important part. | 
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	| MSJ: Are there musicians          out there that whom you would like to work with in the future? | 
	
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	| I get asked this question          all the time and it is always a hard one for me. As a studio rat I like          to work on all kinds of music. Just the past year I have written and produced          for people in all kinds of different styles. Music is a complex mixture          of the right beat, sound and lyric to me. In other words it's like a puzzle.          I like everything and have favorites in all different categories. It's          the challenge of how it's put together and the sounds used that excites          me the most. But to go back to my roots I would have to say to do something          with Jeff Beck would be amazing. | 
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	| MSJ: Do you think that downloading          of music is a help or hindrance to the careers of musicians? It's been          said by the major labels that it's essentially the heart of all the problems          they are having in terms of lower sales - would you agree? | 
	
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	| I hate to say it          because it has become such a great tool but - - - I do agree that it has          been the downfall of the music business. Now business sometimes doesn't          mix with art well but, without those really successful mega stars and          mega bucks being generated I think we are going to find an even greater          dwindling of music for the masses. Which trickles down to the little guy          eventually. When you think about how many people are in the world and          that the record companies use to get excited about selling 2 million copies.          I don't know how the percentage breaks down but that could be around 3          percent of the population buying records to make a major hit? And now          that small number is cut back even more. And there are so many artists          with less than worthy product clogging the Internet that it's impossible          to keep your career earning enough to perpetuate itself financially. Wow.          I even depressed myself there. That said, it has affected my career on          an artist level as far as releasing product but it has helped my career          on a producer/studio level because more people want to create product          that is good enough to release. I think all this will be remedied some          day by the right copy protect being developed and the artists and the          record companies being able to keep the rights to the product they have          invested in and own. | 
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	| MSJ:           In a related question, how          do you feel about fans taping and trading live shows? | 
	
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	| On one hand I think          this is the greatest promotional tool there ever was. Not only did they          take the time to go and record the show like a military spy mission, but          they talk to their friends about it and promote the band's name every          time they give out a copy of the show. But then the other day I got an          email from a fan that showed me a web site in England that was selling          a certain live show from 3, my band with Keith Emerson and Carl Palmer.          I think it was going for $30.00. I couldn't help but feel ripped off.          Shouldn't Carl, Keith and I get a part of that? But most importantly,          it was good advertisement and it was a good show. So whoever gets it will          like what they hear. And my band 3, which had a hit back in the late 80's,          is alive and kicking and still being circulated and talked about. | 
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	| MSJ: What's on the road map for          the future for you? | 
	
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	| Well me and my big mouth have          probably answered that question already. Prime Cuts release from Magna          Carta soon, new web site, video release. And I am currently recording          live shows and going to put an album together that I call The Deepest          Cuts. It is acoustic versions of songs I wrote and performed in my career          performed at small clubs in my home area. | 
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	| MSJ: What was the latest CD you bought, or what have you been listening          to lately? | 
	
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	| Crazy as it seems I really          only listen to the style of music that applies to the artist I am producing          at the time. At the beginning of 06 I was listening to the latest Mariah          Carey and Kelly Clarkson CD's. Rockin', Pop, R&B is what my client          wanted. Then I was involved in a series I produce called Mother Goose          Rocks. It is the top hits of the year rewritten in the style of well-known          kids songs. Then done musically as soundalikes to the style of the original          hit song. I listen extensively to the top 15 hits of the year to write          and produce this album. My latest favorite though is the last album from          Jeff Beck release in the middle of 05. | 
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	| MSJ: What about the last concert          you attended for your enjoyment? | 
	
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	| The most recent concert I took          my kids to see Black Eyed Peas and Gwen Stefani. Really enjoyed the cheerleader          energy of the stage show for Black Eyed Peas. The last concert for my          enjoyment was Paul McCartney. Still can't believe a guy in his 60's can          sing 2 1/2 hours and sound that good. | 
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	| MSJ: What has been your biggest          Spinal Tap moment? | 
	
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	| The latest one was on tour          with Ambrosia the summer of 2004. We were playing down in the Hamptons          and this guy came up to the stage and yelled out "play Freebird"          over and over again. Those of you that have played live for some years          know that "Freebird" is a request usually shouted out at a bar          band. I went ballistic on this guy and the band had to shut me up. But          my biggest moment is when the 3 tour bus left me at the Canadian border          and didn't realize I was missing for an hour. Keith Emerson still has          a videotape somewhere of himself and the guys on the bus coming back for          me and the expression on my face. (laugh it up Keith) | 
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	| MSJ: And finally, are there any          closing thoughts you'd like to get out there | 
	
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	| With the state of the music          business these days it is really hard for musicians and record companies          to stay solvent. I just wanted to thank you for helping to spread the          word and keep good music coming into the hands of the true music fan.          When you do what you love it isn't always easy to get out and promote          your own product. So the service you provide is an invaluable one. Thanks          again for taking the time and putting forth the effort. | 
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