|  | 
  
    |  | 
	 
	
	|  King Crimson
 
  In the Court of King Crimson written by Sid Smith
 
  Review by Steve Alspach
 
  Few bands in progressive            rock have a more colorful past than King Crimson. As Sid Smith says            in the preface, the history of King Crimson is the "triumph of            spirit over adversity. And sometimes the triumph of adversity."            "In the Court of King Crimson" is an excellent document of            a group whose legacy leaves the reader thinking "how could this            band create such interesting music under so much chaos?"
 
 Smith            does his homework, and the book starts in the mid-1960s not with Robert            Fripp, but with the Giles brothers, Michael and Peter. Smith then documents            pre-Crimson Giles, Giles, and Fripp, and discusses the metamorphosis            of that quirky little trio into the band that released "In the            Court of The Crimson King", the ultimate "What the @#$% was            THAT!?" album of 1969.
 
 While            all three "phases" of King Crimson (the 1969-1975 versions,            the Fripp-Bruford-Belew-Levin band of the early 1980s, and the latter-day            lineups with Trey Gunn and Pat Mastellotto) are well represented, Smith            does an admirably thorough job of chronicling the '69-'75 era, which            could be summed up as "another album, another lineup." Internal            problems, and Lord knows there were enough of them (almost always involving            Robert Fripp), are given ample space and dealt with honestly and with            no pretense. Ian McDonald and Michael Giles left due to being overwhelmed            by the touring, and Gordon Haskell, singer on "Lizard," simply            never fit in with the King Crimson scheme of things. Simply put, membership            in King Crimson at this time was not an easy proposition.
 
 If nothing            else, Smith thoroughly knows his subject. His descriptions and observations            of the music are most informative, even-handed, and may inspire the            reader to go back and listen to albums that they may not have heard            in some time. The albums (Except for 1972's "Earthbound",            arguably the worst-recorded live album of all time) are reviewed song-by-song.            Smith was also able to dig up some excellent rare photos as well. (One            1964 photo of The Warriors, featuring "Islands"-era drummer            Ian Wallace and a 20-year-old Jon Anderson, is almost worth the price            of the book itself.)
 
 With            a discography, chronology of concerts, and a "where are they now"            section to conclude this book, "In the Court of King Crimson"            has everything a King Crimson fan could want. Do yourself a favor and            add this book to your collection.
 
 This review is  available in book format (hardcover and paperback)   in             Music Street  Journal: 2005 Year Book Volume 1 at https://garyhillauthor.com/Music-Street-Journal-2005.
 |  
	
	| https://www.youtube.com/channel/UCTqqxpTmgMcm-lTIVqNCeyA |  |  |  |  |  |  | 
 
 
 
    | 
   This work is licensed under a 
Creative Commons Attribution 3.0 United States License.
 
 
 | 
  
    | © 2025 Music Street Journal                                                                          
Site design and programming by Studio Fyra, Inc./Beetcafe.com |