| Track by Track Review | 
 
	
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	| Girl Goodbye This            cut opens up proceeding as part of a medley. It is also the anchor song            of the medley. It is a great way to start a show. The song builds almost            procession like until all the instruments arrive. Bobby Kimball's sound            especially good on this track.
 
 
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	| Goodbye Elenore Only            1:53 is played of this great cut. This is also part of the medley with            "Girl Goodbye". It fits well with the others and I can see            why the band decided to combine the tracks together.
 
 
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	| Child's Anthem One            of the best numbers off of the first Toto release and we only get barely            a minute of the tune. I guess it is better to get at least some of the            song than none at all.
 
 
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	| I'll Supply the Love Another            instrumental ends this medley. I guess this is the kind of thing that            keeps the band interested and the fans happy. The band get to change            things up and the fans at least get a snippet of the track.
 
 
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	| Gift With a Golden Gun The            first full track and it is taken from Turn Back. It is a good version            with Steve Lukather and Bobby Kimball really putting in great performances.
 
 
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	| While My Guitar Gently Weeps I            have always said that if you can't do something different with a cover            song, then don't do it. Steve Lukather takes this George Harrison classic            and updates it Toto-style. It has a bit of a jazz sound but Steve really            lets rip with the solo. His vocal performance is also good. I generally            don't like cover versions but I really liked this performance.
 
 
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	| Bodhisattva This            is the only track off of the Through the Looking Glass album. Steve            just shows how versatile he is on this track. It's a faster cut and            has few different styles of music rolled into one. It has rock parts            and jazz parts that mix quite well.
 
 
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	| Africa David            Paich finally makes his voice heard. He sings lead on this song and            right off the bat you can tell it's a bit different from the studio            version. Not only are the vocals a bit altered, but the end of the piece            is extended for a little instrumental workout. I don't care for the            vocals and if you grew up listening to the studio version, like I did,            you will sense that something isn't quite right.
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	| Waiting For Your Love The            smooth jazz of this track starts this medley. Like "Girl Goodbye",            this is the anchor song for the medley; clocking in at 6 and a half            minutes. Bobby Kimball sings very closely to the original. His voice            seems to have aged well. There is also a great piano solo courtesy of            David Paich.
 
 
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	| Georgy Porgy Steve            Lukather sings this children's rhyme. I remember not liking this song            back in the '70's but I don't mind it as much now. Maybe it's because            we only get a little over 2 minutes of it.
 
 
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	| Hydra This            album doesn't get the respect it should. I guess if you follow it up            a few year later with something like VI, then people will forget about            it. We are only treated to a short instrumental part in this medley.
 
 
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	| Lion When            I mentioned that some albums were just touched upon, this is one of            those examples. Isolation is represented with 1 and a half minutes of            an instrumental. This is also part of that medley started by "Waiting            For Your Love."
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	| English Eyes: This            track at least gets a little over 2 minutes of play. It's part of the            medley and again, it's great to hear these tracks but just as you're            getting into the tune, it ends. It is performed well but that is a given.
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	| Till The End Fahrenheit            is represented very briefly with a 41 second instrumental part off the            lead track. Since Joseph Williams sang on the original, Bobby Kimball            didn't want to sing any of his songs. It's a shame because it's a good            tune and I would have liked to hear his interpretation.
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	| I Won't Hold You Back Finally,            we get a full song. They play this one a bit different from the studio            version. It is more subdued and the vocal harmonies are right on the            money. I like this version better than the studio track because it sounds            a bit more raw and organic. Toto VI was a slick album and it came very            close to being too clinical sounding.
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	| Rosanna Toto            VI makes up the bulk of this CD. I can understand why; it's what the            fans want. I just think that a bit more obscure material would have            been nice. That being said, this is a good version with a bit of a piano            solo (and a bit of "When the Saints Come Marching In") tacked            on the end.
 
 
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	| Afraid of Love I            don't recall this track having a Van Hagar vibe to it. Steve Lukather            shows his rockier side on this track. This is one of the less famous            songs off of VI and makes a nice addition to the show.
 
 
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	| Hold The Line No            Toto concert would be complete without the song that started it all.            They play this one close to the original and it is amazing to hear how            well they do it 25 years later. They still have the musical and vocal            abilities to pull this kind of song off. Not many bands can say that.
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	| Home of the Brave David            Paich gets to stretch his voice for this one. I haven't heard the original            in years but Bobby Kimball sings Joseph William's part well. This is            the kind of song that is good to close a show with.
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