Artists | Issues | CD Reviews | Interviews | Concert Reviews | DVD/Video Reviews | Book Reviews | Who We Are | Staff | Home
 

Black Sabbath

Master of Reality

Review by Gary Hill

Black Sabbath’s third album is often overlooked. The first two were really defining a sound so they get more of the limelight. This one saw the band taking some time to explore the soundscape they had wrought. For my money it’s a great disc, and while perhaps not as earth-shattering as the first two, every bit as good as them.  I’d consider this a “must have” for any Black Sabbath collection.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2009  Volume 2 at lulu.com/strangesound.
Track by Track Review
Sweet Leaf
Starting with a cough that echoes away, this is a crunchy tribute to a certain leaf that when burnt has a sweet smell. We at MSJ do not advise anyone to chemically alter their state of mind and here by remind you that such activity may well violate your local laws. I just am letting you know what the song is about. It’s a good early metal grind and still holds up pretty well.  There’s a cool faster paced segment that’s bass driven, too.
After Forever
This has always been one of my favorite cuts here. It’s a scorching, high-energy early Sab stomper. Those who think of Black Sabbath as some dark, evil band, will be surprised to find that this has Christian lyrics. I like the back and forth stereo effect on the instrumental break – even if it’s a bit dated.
Children of the Grave
A cool instrumental section leads this off in an unusual way. They fire out from there in a fast paced jam that’s got an almost trash can feeling to the percussion. This is a killer cut that still holds up remarkably well. It’s classic Black Sabbath and one of the highlights of the set. They close this with a weird little “ghost like” section.
Orchid
This is a pretty acoustic guitar based instrumental segment. It’s basically just an acoustic guitar solo, but there are multiple layers.  
Lord of This World
There’s a bouncy sort of nature to this, but the cut is really a smoker. It’s probably the closest to the music from Paranoid of anything here. This is early metal crunch at its best. Sabbath take us on a great musical adventure with a number of changes and alterations. This has always been one of my favorite Sab cuts. 
Solitude
Here they give us a pretty mellow cut. This is moody and tranquil. The group have always flirted with this kind of sound, but this might be one of the best of these numbers. It has a definite “hippie” feeling to it, but none of the cheery nature that that implies. At times comparisons to early Hawkwind are warranted. While some might question including something like this, it provides a great break and makes the harder edged stuff seem even harder by comparison. Plus, it’s just a cool piece of music. 
Into the Void
A killer extended riff opens this, feeling perhaps a bit like something we’d come to expect from Rush in later years – I suppose comparisons to Zeppelin would be warranted, too. They take this through a couple of differing segments before dropping it to a smoking crunch riff jam. This is a thrilling ride with several twists and turns. It’s actually another of my favorites here and a great way to end things on a high note – at least in terms of power and musical quality if not lyrical mood.
  
Return to the
Black Sabbath Artist Page
Return to the
Candlemass Artist Page
Artists Directory
  
Google

   Creative Commons License
   This work is licensed under a Creative Commons Attribution 3.0 United States License.
    © 2025 Music Street Journal                                                                           Site design and programming by Studio Fyra, Inc./Beetcafe.com