Punk rock and roots rock merge on this cut. It calls to mind Lou Reed quite a bit. This is noisy and hard edged at the same time. That's appropriate because Reed gets named check on this. Then again, so do a lot of others. This is such a run-down of artist who play the venue. It's a good theme song, really.

I dig the mix of old school glam rock and new wave. This is energetic and fun.

I really like this one a lot. It comes in with a trippy kind of psychedelic vibe. It works out to more of a mainstream rock sound. There are definitely hints of something like The Doors here, but I'm also reminded of The Animals at times.  However you label the influences, though, this dramatic slow moving cut is cool.

Some studio banter starts this. Then cymbals bring the beat. Piano joins. From there we're taken into more of a cool classic rock and roll meets punk rock sound. It gets harder rocking later, and there is something that calls to mind the kind of musical theater related stuff that Meatloaf often does. I love the guitar solo on this thing.

This is very much an old school rock and roll based tune. It's got plenty of punk in the mix, too.

Old school hard edged rock and roll is the idea behind the music on this. The vocals turn it more into the punk rock line of thinking. This isn't far removed from some of the NWOBHM sounds. The dropped back, psychedelically tinged section makes me think of David Bowie a bit.

Much more of a punk rocker, this still has some of that hard edged glam sound to it, too. I like the descending riff that drives this. The weird section mid-track makes me think of Alice Cooper a bit.

This has a real mainstream hard rock sound to it. It's driving and powerful. I like it a lot. The bridge takes it into some rather strange, but cool, territory.

This is trippy, effects driven weirdness. It's part techno (before that genre existed) and part psychedelia. It's also cool.

New wave and punk are the concepts here. This is energetic and fun.

A melodic rocker with a lot of classic sound built into it, this is another classy tune.

I really like this song. It's echoey, trippy and so cool.

This is a smoking hot Dolls song. It's part punk and part glam. Yet, it also has some things that seem to link it to the NWOBHM sound.

I dig the saxophone on this cut. The vocals on this call to mind 60s girl groups, but the sound has more of a punk rock edge with some 50s sound in the mix.

This feels a lot like the Ramones. It's a killer number.

The old school rock and roll driving the musical portion of this is great. The vocals are more pure punk rock. There are definitely links to The Stray Cats on this, but it seems meaner and more punk.

Early punk rock makes up the concept here. This is a solid stomper. You have to love any song with the lyrics "disco sucks." This definitely earns some parental advisories. I really dig the guitar solo. There is a percussion meets spoken lyrics section at the end of this. There is crowd conversation in the background of that segment.

Perhaps more of a glam rocker than it is anything else, this is a killer tune. It's quite catchy. I love the guitar solo, too.  Somehow, this reminds me a bit of Kiss.

There is some funk in this thing. The saxophone is cool. Somehow it reminds me a bit of Frank Zappa.

Reggae is the order of business here.

As you might guess from the title, there is a lot of saxophone on this cut. It's another with a healthy helping of reggae at its heart. It's an instrumental and even seems to have some surf guitar in the mix at times. It's a fun one.

The horn sound adds something to the mix here. This is very much the kind of thing that was eventually landed under punk rock and hardcore. It's a killer tune.

The introduction on this song earns a parental advisory. The cut has some great horns and just plain grooves.

More of a mainstream punk rocker, this is solid stuff for sure.

I love the little spoken introduction on this. The cut is high energy quirky, punk rock and roll. This reminds me just a bit of the kind of thing The B-52s do, but mixed with some more mainstream rock and roll.

I dig the new wave vibe on this. Yet, it's got a great old school rock and roll vibe, feeling like "Great Balls of Fire."

At over eight and a half minutes in length, this one of the truly extended cuts here. It's different version of the song that started the set. It gets tastefully punky.

A full on old school rock and roll vibe makes up the musical concept here. This has a cool vocal arrangement and some classic sounds on the musical arrangement. I really dig the guitar solo. That section calls to mind Stray Cats.

This cut is a good combination of punk rock and old time rock and roll. It's energetic and yet catchy.

As is the case in a lot of these songs, this is a hard rocker that has a lot of classic rock in the mix. It's another killer tune. In fact, it's one of my favorites here. Then again, I love Halloween, so it gets points for the title before it even begins. The guitar soloing has such a cool sound.

There is a lot of blues rock built into this cut. The horns bring some jazzy textures. The vocals are low-register ones. The harmonica is a great touch. This song just oozes cool and is one of the highlights here.

This is essentially a folk tune. It earns a parental advisory.

As advertised, this is a return to the previous number's concept. It lists a bunch more musicians.

This rocker is typical of old school Iggy Pop. It has a lot of angst and raw power along with the early punk edge.

I've always liked Nico. This has a moody kind of sound. There are links to the Velvet Underground sound, but I'd almost think of this as progressive rock in some ways. It certainly shares some territory with it, particularly during the keyboard/flute instrumental section. This is, at the very least, art rock. It's also great. It's definitely my favorite tune here.

I dig this raw powered rendition of the classic old school tune.

This is a high energy punk rocker that's strong.  At less than two and a half minutes long, it's one of the shortest things here.

Noisy and echoey, this is raw. It's the lowest quality recording here, but makes up a lot of that with the energy.