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	| Metal/Prog Metal CD Reviews |  
	
	| Track by Track Review |  |  |  | Svart As            they leads this off in a rather tentative way one might think they are            about to launch into a new prog rock disc. The guitars become a bit            funky and the general mode on the intro reminds me a bit of The Grateful            Dead for a time. As they pound out into the main riff, though, it feels            more like early Aerosmith. Once the vocals join, though, Mountain is            the order of the day. This is a killer hard rocking jam and a great            intro to the disc.
 |  |  |  | Vad jag ser With            a smoking main riff, they continue on in style. You'll no doubt hear            a lot of Mountain on the mix of this killer piece of music. Who cares            if you don't speak Swedish? It's fun to sing along even if you don't            have a clue what the lyrics really are. There is a great Black Sabbath-like            break in this track and some killer tasty guitar work. I also hear echoes            of Captain Beyond on this at times.
 |  |  |  | Kejsarens nya kläder Those            Captain Beyond sounds are even more prevalent on the intro to this smoking            jam. The verse is more stripped down and makes me think of “Mississippi            Queen.” They drop back to some tasty little jazzy blues interludes            here and there. There is another melodic break on this cut that has            a bit of a progressive rock texture to it. This number segues straight            into the next one.
 |  |  |  | Säljer din själ Frantic            jamming leads off here. This moves out into another smoking bluesy stoner            rock number. This has less obvious influences than some of the material,            but you might hear echoes of Black Sabbath at times. There is also a            killer expansive jam later that reminds me a bit of Thin Lizzy. While            everything these guys do is tasty, this one shines above a lot of the            rest.
 |  |  |  | Nålen Percussion            starts things off here, then a killer wahing guitar joins in. This screams            out into another smoking groove. The Black Sabbath textures are pretty            clear here, but so is some Hendrix sound and other elements. This is            another standout – and as strong as this disc is, that says a            lot. They drop it way back later for a mellow, bluesy jam with lots            of jazz in the mix. When this begins to grow back out the Hendrix comparisons            seem more obvious, but with other textures mixed in. This whole section            really typifies jam band sounds mixed with the bluesy hard rock that            these guys seem to do so well.
 |  |  |  | Kall som sten They            pound out here with a fast paced, hard rocking jam that's solid. This            just doesn't seem to rise as high as some of the other material on the            disc.
 |  |  |  | Mjölk och honung At            over seven minutes in length, this is the longest cut on the disc. It            showcases another tasty slab of the band's hard rocking bluesy stoner            rock. This one definitely feels a lot like early Black Sabbath. They            include a cool mellow segment here that has a definite 1960's rock texture            to it. While I wouldn't say this is my favorite track on the disc, it            rocks out quite well and is more dynamic than a lot of the material            – it also lands at the front end of the pack.
 |  |  |  | Bilder Drums            start off here. They launch into a Mountain like jam from there. At            just past the seven minute mark this is the second longest piece in            the set. It drops back to some of the most sedate music of the album,            too, with a dramatic balladish segment that calls to mind Grand Funk            a bit. This gives way to the main groove of the track from there. They            alternate between these modes for the bulk of the song. A guitar solo            segment later on is among the most tasty moments of the disc. Between            the dramatic textures that serve to back it up and the meaty layers            of guitar playing, this calls to mind a more bluesy Eagles (think “Hotel            California”). Without question this is my favorite tune on the            CD. I could have done without the extended outro, though, as it gets            a little noodly. Although, the short snippet of Black Sabbath (and I            mean a direct musical quote) afterwards is a nice touch.
 |  |  |  | Barkbrödslåten/Men mitt hjärta ska vara gjort av sten Beautiful            music that could easily be the start of a prog rock ballad begins this.            Instead of moving out into some epic neo-prog jam, though, these guys            power out into a psychedelically tinged journey that reminds me a lot            of Steve Howe's pre-Yes band Tomorrow. They move through a number of            changes, though and more Black Sabbath and Mountain elements show up            here, too. This is one of the more dynamic cuts on show, changing up            quite frequently. It's a wandering piece of vintage hard rocking textures            and works quite effectively.
 |  |  |  | Mamma talar This            is another frantic hard rocking screamer, possibly the fastest and most            metallic track on show here. It sounds quite a bit like Led Zeppelin.            This also reminds me to a big extent of early Hawkwind.
 |  |  |  | Ievighetens nav This            is one of the more bluesy numbers on the disc, feeling a lot like early            Aerosmith at times. It's a real killer number and, while not the highlight            of the CD, it's one of the best. That makes it a great choice to close            the disc.
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