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Track by Track Review
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I Can't Let Go This pop rock cut comes across effective, but the vocal arrangement feels a little harsh in this take. |
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Just One Look This slower cut has only a minor R & B texture to it. It works better than the last track and includes a rather funky bass line. |
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Bus Stop With an almost '50's styled intro, this classic still holds up quite well all these years later, and truly the vocal arrangement is what truly sells it. This is one of the highlights of the disc. |
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Casualty This cut has a definite '80's texture to it, this one is rather weak. |
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On A Carousel Starting with almost acapella vocals, this is a fun rocker, but the vocal performance is a bit rough here. |
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Someone Else's Eyes A more mellow piano based ballad, this one is pretty and quite effective. It has some tasty guitar work, and the arrangement gets quite lush later. This one isn't exceptionally catchy, but is actually a very well constructed and executed piece of music. |
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Look Through My Window This pop rocker is fairly strong, but the vocal performance falls a little short. |
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King Midas In Reverse This is a mellow acoustic ballad thatg feels pretty effective, just not all that catchy. It actually feels a bit awkward. |
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Wasted On The Way Moving into Graham Nash's material from his Crosby Stills and Nash days, this comes across as a very powerful one, and one of the highlights of the album. |
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Teach Your Children This is another CSN cut that is a great ballad. This rendition is decidely less countryh than the original and a grteat acousitc ballad. It still includes a countrified solo. |
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Soldier's Song Keyboards and vocals start this in a dramatic progish fashion. This ballad is quite strong. It jumps later to a killer full on progressive rock jam. This is the strongest cut on the disc. It's very powerful. |
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Stop, Stop, Stop This song is bouncy and just has a bit of a silly texture to it. It is not bad, but rather just a bit of a throw away. |
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Air That I Breathe This song is a classic and just a great, great song. It still holds up very well, all those years later. The solo is very strong, and this is definitely another highpoint of the disc. |
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Carrie Anne This bouncy Caribbean pop rocker is fun, but not all that special to this reviewer. |
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Stop In The Name of Love A more upbeat and somewhat proggy track, this balladic one is quite cool. |
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Stop in the Name of Love Another powerful ballad, this cut is very evocative. |
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Long Cool Woman in a Black Dress My favorite Hollies song, this rocks out very well here. The instrumental break/guitar solo is especially strong. This is extended and includes a lot of killer soloing from all the musicians. It is a great way to end the disc. |
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