When the band Spiral Architect comes to mind, one can only visualise intense melodic chaos or the impossible pictures of M.C Escher. This relatively new Norwegian metal band that formed during the year 1993 has since its beginnings absconded from contemporary progressive styles which bands like Dream Theater, Fates Warning and Symphony X seem to have epitomized. After listening to the album several times, one can identify the certain key elements of jazz-fusion combined with the powerful metallic tones of the guitar, vocals and bass. These essential elements comprise an unusually unique style of music that I have yet to find amongst many contemporary musicians.

Before perusing this album, I advise listeners to take a long breath in order to stay focussed on the transient odd meters and fast-paced vocals. I noticed that before the start of the first track 'Spinning,' which I can only assume takes its name from the wild imagery of rotating objects and gyrating visions; a short intake of breath is heard. I can imagine this being a type of warning or signal, as anybody about to attempt any kind of tremendous feat, like playing this song, would normally hold their breath to prepare for a most unpredictable rush. Tracks like Cloud Constructor, Fountainhead and Conjuring Collapse are songs that are in constant motion but seem to carry elements of obscure style and flair. Images that come to mind are cracked mirrors and that scene in "Contact" where Jodie foster flies through the wormhole. The pieces have a lot happening within them and many subtleties can be identified. If anyone has been to a place that is always changing with every visit, then I think this is how 'A Sceptic's Universe' should be approached. I can always seem to find something new with every listening.

In terms of composition, Spiral Architect appears to be a band that identifies an image or theme and subsequently writes their music in accordance with it. I personally feel that this album has a lot of depth to it and surpasses much of today's musical standards, which can consist of 2 dimensional approaches to creating music. There is at no time throughout this masterpiece that I felt like a guitar riff or drum fill wasn't meticulously planned and crafted. However, in the odd section that is improvised, I feel there are still remnants of some kind of structure, which would have been elaborated upon. All in all, this powerful music maintains its own unique style and voice and although it echoes the riddling sounds of other genres, Spiral Architect's "A Sceptic's Universe" is an album that should be saluted. I only hope this album reaches great heights with audiences across many oceans, and duly achieves the recognition it deserves. If you are a progressive metal fan and are looking for something new and fresh, then indulge yourself in the majesty of Spiral Architect's "A Sceptic's Universe."

This review is available in book format (hardcover and paperback) in Music Street Journal: The Early Years Volume 2 at garyhillauthor.com/Music-Street-Journal-The-Early-Years.