Featuring Gayle Ellett of Djam Karet fame, this album would land under that heading based entirely on that connection. The thing is, there is plenty of prog here, too. Yes, this is acoustic based music, played entirely on such instruments. That doesn’t mean it can’t be prog, though. Whatever you call it, though, this is a solid release that works well start to finish.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2015  Volume 2 at lulu.com/strangesound.

There are some great melodies built into this. It has a lot of world music and is rather folk oriented. Still, it has some classical music and a bit of a space rock edge at the same time. There are links to the kind of acoustic stuff Led Zeppelin sometimes did, too.