I don’t know if this fits into progressive rock. I’d say some of it does. Besides that, particularly given his solo album I reviewed before and his work in Supertramp, I’d generally include Carl Verheyen under that heading. This album is an instrumental album of solo guitar pieces. Of course, the second part of the title gives that away. Whatever you call it, I like this set a lot.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2015  Volume 5 at lulu.com/strangesound.

This acoustic guitar solo is intricate and complex. It’s also at its heart an accessible kind of groove. There is some bluegrass in the mix at times.

This feels a bit more like fusion to me.