I'm not sure about the whole concept of putting this under the "progressive rock" heading. It's on the MoonJune label, and that's a prog label. The music here is "progressive" in some ways and "regressive" in others. It's definitely "art" based music. It's not rock at all, though, tending toward world music, folk and jazz. Whatever you label this as, though, it's strong stuff that leans on the mellower side of the equation. While Tali Atzmon is more or less the focal point of this as the lead singer, Gilad Atzmon is the best known musician here.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2017  Volume 5 at  garyhillauthor.com/Music-Street-Journal-2017.

Pretty piano opens this and holds it in an almost classical style. The vocals come over the top with a rather jazzy, non-lyrical approach. A horn joins as the arrangement continues to work its way forward. This is mellow, rather sultry and dreamy. It's also quite jazz-oriented. The instrumental section later includes some nice interplay (almost call and response) from the piano and the horn.

There is definitely a classical edge to this. In a lot of ways it calls to mind folk prog, too. While there are vocals on this piece, large chunks are purely instrumental. Those vocals are almost ethereal to a large degree.