So, you say you like melodic fusion? Well, then you should give this a try. It's a great album. The music varies well enough from song to song, but also feels like one cohesive set at the same time. Every instruments gets a bit of spotlight time. This is just great instrumental fusion. It should be noted that at MSJ we generally put fusion under prog rock. That's why this lands there. That said, there are some moments that lean closer to prog.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2017  Volume 5 at  garyhillauthor.com/Music-Street-Journal-2017.

I love the energetic piano that leads this out of the gate. The cut works from there to more fast paced fusion jamming. This is another highlight of the set for sure. It's one that wanders closer to rock territory than the rest. The keyboard soloing is just so tasty.

The guitar soloing on this number is intricate and expressive. This is another that makes me think of Metheny just a bit. I dig the percussive elements late in the number, too.

Piano begins this cut, feeling quite classical in nature. Some percussion threatens to join as it moves forward. The cut doesn't really move beyond just the piano until around the minute and a half mark when the guitar enters. It becomes a lush and dense, but still slow moving, piece of music. There is some intricate soloing at hand. Although this took quite a while to move out from its origins, it's actually one of the most dynamic cuts on the disc. It has some really interesting interplay between instruments. This is arguably the most progressive piece here, but not in a rock way.

This is a short, classically tinged, piano solo that serves a nice ending to the disc.