This set is electronic music. Perhaps it's not the tightest fit under progressive rock, but it's clearly progressive music. There are a handful of cuts with vocals, but the majority of this is instrumental. It runs along quite a wide range of musical styles. Still, it's cohesive and consistent. The quality is also consistent - and on the high end.

This review is available in book format (hardcover and paperback) in Music Street Journal: 2017  Volume 6 at  garyhillauthor.com/Music-Street-Journal-2017.

There is a lot of percussion on this cut. There are also non-lyrical female vocals. The vocals turn lyrical later. The cut is a energized and quite interesting. It still manages to land in weird territory.

Dense and a bit avant-garde, this is another intense piece of soundscape.

A dense musical tapestry, keyboards and percussion drive this piece. I love the section later in the track where keys dance over the top of a particularly driving drum part.