This newest release from Lucas Lee continues his brand of progressive rock. It is often King Crimson-like, but has plenty of other leanings in place, too. While it's quite freeform in terms of changes, somehow it feels cohesive and coherent, too. There are no vocals in terms of singing, but there are a lot of spoken processed things like sound-bites.

This review is available in book (paperback and hardcover) in Music Street Journal: 2018  Volume 6. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2018.

Trippy ambient elements make up the backdrop for a spoken voice that's sort of processed into an almost cartoon element. After that section this powers out into hard rocking King Crimson-like stuff that's pretty insane and quite cool. This is driving and mean. It works to a section that (while still very King Crimson-like) is a lot more light-hearted. Eventually that moves into some Crimson-like fusion that drives it forward. A new jam emerges around the three minute mark with a killer, almost rubbery riff at its core. That voice is heard again later, but just a small bit.