I suppose you could label this EP as "pop music." That would be doing it a grave injustice, though. This is meaty music that has a lot of techno and industrial edge. There are punky elements. There is also a lot of Electronic Dance Music built into this. It's catchy and infectious. But it also has its edgy, almost dangerous moments. Kari Kimmel's voice is a real selling factor here. I am sure, particularly with the music her singing accompanies, she draws comparison to Debbie Harry. To some degree that's warranted, but it only covers only one side of her. She has a lot in common with the voices of European dance music and, yes, even pop music. Joe Corcoran is the other half of the duo handling production, music and songwriting. Call this pop music if you must, but by all means check it out. It's compelling and well worth the time.

This review is available in book (paperback and hardcover) form in Music Street Journal: 2018  Volume 6. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2018.

Mellower and moodier, this is a nice change. It's slow moving and rather dark, but also dreamy. After the first verse we get more energy and a bit of an Americana vibe comes into the mix. There is also a little bit of EDM here. The multiple layers of vocals work well. I like the balance between the more dropped back and the powered up stuff on this song.

A bit slower and moodier, there is a really cool groove to this cut. This song is less edgy than some of the rest, perhaps feeling a bit more like a female led version of Depeche Mode. That's not a bad thing, though. It works letter and paints a different kind of musical picture than a lot of the disc does. This is quite an effective way to end the set, really. It brings things down to Earth in a great way. It does have some cool synthesizer sounds built into it, too.