When it comes to Gary Wilson albums, you pretty much know what you are going to get before you spin the disc. Wilson is considered one of the pioneers of weird music, and his music definitely qualities as weird. It often feels like something Frank Zappa might have created if his sound was based more on keyboards than guitar. Still, that's just one side of Wilson's sound. The thing is, as odd as his music is, it's strangely compelling and catchy. Even more importantly, it's fun. This album is no exception. It's definitely not progressive rock in the classic sense, but I can't see it going anywhere else.

This review is available in book (paperback and hardcover) in Music Street Journal: 2020  Volume 2. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2020.

Wilson's voice starts this in a spoken way without any accompaniment. The track works out from there with the vocals still spoken. There are some powerful musical moments, but then later it shifts to real weirdness with strange processed voices and odd instrumentation creating almost a nightmare kind of element. There is a short movement toward more "normal" sounds for the instrumental closing bit.