This may or may not fit under progressive rock, but I've put it there. If it does fit, it's not because of its resemblance to the classic prog of the 1970s. There really are no links to that sound. This ties closer to the moody modern prog of more recent times. The thing is, a few songs are pretty much prog-free, landing closer to roots and folk territory. Whatever you call this, though, this is a largely understated and entertaining set. I do have to say one thing about the liner notes. It might have seemed a clever idea to use white shiny ink on a white background, but it renders it more or less illegible for me. It just looks like blank pages. If you tilt it right, you can see the words, but that's just too much work to me - particularly because seeing them and reading them are two different things. I'm sure it was meant to be artsy, but sometimes artsy is the bridge too far. I'd say that this is one such case.

This review is available in book (paperback and hardcover) in Music Street Journal: 2020  Volume 2. More information and purchase links can be found at: garyhillauthor.com/Music-Street-Journal-2020.