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Robert Fripp
www.elephant-talk.com/wiki/ETWiki_Home
CD Reviews
Exposure
Review by Steve Alspach
Robert Fripp's first solo album (not counting the side projects with Brian Eno) was considered "A Day in the Life" for the 1970s.

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Concert Reviews
Robert Fripp - Live in Milwaukee, WI, October 2005
Review by Josh Turner
This was an odd opener for Porcupine Tree. It took me awhile to unravel how they came up with this strange selection.
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Related Articles
John Wetton - Anthology Volume 1: Studio Recordings
Review by G. W. Hill

This anthology of songs from John Wetton is quite strong. It’s not all progressive rock, and for the most par even when it lands there, it’s more in the AOR end of the spectrum.


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King Crimson - Audio Diary 2014-2018
Review by Gary Hill

This new five-CD collection is pretty amazing. I've said before, and will repeat it here, that this new version of King Crimson might well be the best lineup they've had, particularly in terms of live shows.


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Fripp & Eno - Beyond Even (1992-2006)
Review by Gary Hill
This is a collection of previously unreleased collaborations between Robert Fripp and Brian Eno. As one might imagine the majority of this music is firmly rooted in atmospheric territory.
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Sylvian/Fripp - Damage
Review by Jason Hillenburg

Robert Fripp's collaborations in the late 1980s and early 1990s with David Sylvian, in retrospect, clearly laid the groundwork for King Crimson's album Thrak.


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King Crimson - Discipline
Review by Steve Alspach
These were interesting times for Robert Fripp, ye olde scholastic of the progressive rock scene. In 1978 he had released Exposure, an album that he described as "A Day in the Life" for that period.
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Theo Travis - Double Talk
Review by Gary Hill
A modern legend in both progressive rock and jazz circles, Theo Travis and crew have crafted a killer album that showcases both sounds.

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King Crimson - Earthbound
Review by Gary Hill

This is a good, but not great, live album from King Crimson. The first thing holding it from the “great” title is the sound quality.


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King Crimson - Earthbound 40th Anniversary Series
Review by Gary Hill

In honor of the 40th Anniversary of the Earthbound album King Crimson have released this deluxe set. It's an amazing release, too. First, you get the original album with three bonus songs added to it.


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King Crimson - Eyes Wide Open DVD
Review by Bill Knispel
Following two plus years as a “double trio,” and nearly two years of fractionalization through a series of ProjeKCts, King Crimson returned to active duty in 2000 as a streamlined quartet with the album The ConstruKCtion of Light. A second album in this newer “double duo” format titled The Power to Believe, followed in 2003.
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King Crimson - Happy With What You Have To Be Happy With
Review by Bill Knispel
Happy With What you Have to be Happy With was the second consecutive EP release from King Crimson, and presented a look at additional material that would, along with the instrumentals presented on the Level Five EP, form the majority of the band’s (at the time) forthcoming studio album The Power To Believe.
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King Crimson - Heroes EP
Review by Gary Hill
This new EP from King Crimson is intriguing. It's bookended by their take on a David Bowie classic (the full version and a single edit). 

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King Crimson - In the Court of King Crimson written by Sid Smith
Review by Steve Alspach
Few bands in progressive rock have a more colorful past than King Crimson. As Sid Smith says in the preface, the history of King Crimson is the "triumph of spirit over adversity. And sometimes the triumph of adversity."
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King Crimson - In the Court of the Crimson King – 40th Anniversary Edition
Review by Gary Hill
Porcupine Tree’s Steve Wilson was tasked with the job of remixing this classic progressive rock album.
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King Crimson - In the Court of the Crimson King (50th Anniversary Edition)
Review by Gary Hill

This new four-disc (three CDs and one Blu-Ray) edition of King Crimson's debut disc is great. It has several variants of the music presented here.


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King Crimson - In the Wake of Poseidon
Review by G. W. Hill

This was King Crimson’s second album. Greg Lake continued to provide vocals here (with the exception of one song), although he had left the band.


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King Crimson - Islands
Review by Bill Knispel
King Crimson’s Islands album (1971) marked two milestones. On one hand, it was the band’s return to live performance, as Crimson had not played any live shows since December of 1969. On the other hand, it marked the end of the first phase of the band’s career, as stresses and interpersonal conflict would cause the group to break with lyricist Peter Sinfield (who had been with them since their founding) before finally imploding from differing musical directions and influences prior to a final US tour (which the band did out of contractual obligation).
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Julie Slick - Julie Slick
Review by Gary Hill
Julie Slick is a bass player who came to the attention of many through her work in the Adrian Belew Power Trio.

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King Crimson - Level Five
Review by Bill Knispel
Following the “research and development” phase that was the ProjeKCts, King Crimson resumed its most recent return to recording and performance. Having jettisoned Bill Bruford (who returned to primarily jazz playing via Earthworks) and Tony Levin (who returned to live work with long time collaborator Peter Gabriel), Crimson recorded and released the more electronic album The ConstruKCtion of Light in 2000.
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King Crimson - Live in Birmingham, England in September 2015
Review by John Pierpoint

I had never seen the mighty King Crimson play live before - not surprising, as I was only ten years old when the band last played my home town in 1974!


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King Crimson - Live in Chicago
Review by Gary Hill

King Crimson has one of the most interesting and complicated histories in all of progressive rock. The lineup is one of the most dynamic, too.


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King Crimson - Live in Vienna
Review by Gary Hill

It seems that there is quite a bit of live material being released from this version of King Crimson. That's a great thing because this line-up might be the best ever.


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King Crimson - Lizard
Review by Bill Knispel
Lizard is one of two “lost” King Crimson albums. Generally overlooked in favor of either the megalithic debut release or the embryonic prog metal that made up the band’s mid-1970’s output, Lizard shows the band moving more toward Robert Fripp’s musical ideals and concepts.
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King Crimson - Lizard – 40th Anniversary Series
Review by Gary Hill
The third King Crimson album, this version is part of the 40th Anniversary series of reissues. It is presented here in a few ways.

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King Crimson - Meltdown - Live in Mexico
Review by Gary Hill

This is truly an amazing set. Looking at just the product itself, without even considering the performances will tell you that.


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King Crimson - Neal and Jack and Me DVD
Review by Bill Knispel
King Crimson’s ‘return to the throne’ in the 1980’s must have been viewed with a degree of skepticism. The band made a name for themselves in the 1970’s with their dark blend of symphonic grandeur and intense heaviness, mixed with an improvisational spirit that would drive them to push every song and performance into parts unknown.
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John Wetton - Raised in Captivity
Review by Gary Hill

The latest solo release from John Wetton finds him with a lot of great guest appearances. 


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King Crimson - Red
Review by Gary Hill
For my money, Red is King Crimson's most consistent and powerful album. The disc combines the hard edged sound that I think works the best for Crimson with both highly accessible and very creative song writing to produce an album that holds up exceptionally well.
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King Crimson - Red – 40th Anniversary Edition Remastered
Review by Gary Hill
For me Red has always been King Crimson’s ultimate album. I know, there are those who will point to Larks’ Tongues…, but personally I think this one is more cohesive and to the point.

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Various Artists - Rockin' the City of Angels written by Douglas Harr
Review by G. W. Hill
This book is something very special. A good tag-line for this would be "come for the pictures, stay for the stories."

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Jakszyk, Fripp and Collins - Scarcity of Miracles
Review by Gary Hill

This is billed as one of the King Crimson spin-off groupings and since Mel Collins and Robert Fripp are both included, that makes sense.


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King Crimson - Sleepless – 12-inch Single (Vinyl)
Review by G. W. Hill

It used to be a rule at MSJ that if something was out of print we didn’t cover it.


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King Crimson - The Construkction of Light
Review by Gary Hill
King Crimson has always been an enigmatic group. The band has basically had three previous incarnations; '60's/'70's, '80's and the '90's versions.
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King Crimson - The Great Deceiver, Vol. 1: Live 1973-1974 Volume 2
Review by Gary Hill
This, along with Volume 2, is a reissue of a 4 CD set that came out in the 1990’s. It captures the Larks Tongues In Aspic / Starless and Bible Black era King Crimson in a series of live shows.
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King Crimson - The Great Deceiver: Live 1973-1974 Volume 2
Review by Gary Hill
Here we have the second set of live Crimson tracks just reissued. See my review of Volume 1 for more information about this release overall.
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King Crimson - The Power To Believe
Review by Gary Hill
Since its formation in the late 1960's King Crimson has never been content to stay in one musical place. They were one of the pioneers of progressive rock, and under the guidance of band leader Robert Fripp they have gone through many changes, both in terms of musical style and lineup. I
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King Crimson - Thrak
Review by G. W. Hill

When King Crimson reformed after the 80s period, there were definitely elements of that period still present in their sound. 


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King Crimson - Three Of A Perfect Pair
Review by Gary Hill
When King Crimson reformed in the 1980’s to create the Discipline album the sound they presented was quite different from the classic Crimson of the 1970’s. While I liked all of the discs from this Belew, Bruford, Fripp and Levin lineup, I still preferred the “old school” stuff.
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King Crimson - USA
Review by Steve Alspach
Robert Fripp's decision to knock King Crimson on the head may have been a shock to some, but it seemed like the right thing to do at that time.
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King Crimson - VROOOM
Review by Bill Knispel
10 years following the dissolution of King Crimson following a trilogy of world and gamelan influenced albums, the band quietly rejoined forces in a small studio in Woodstock New York to create a new band and a new sound. Expanding beyond the quartet that created those 1980’s albums, the core group (Robert Fripp. Adrian Belew, Tony Levin and Bill Bruford) was joined by new members Pat Mastelotto (drums, formerly of Mister Mister) and Trey Gunn (Stick) to create what founding member Robert Fripp called a “double trio.”
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