Exposure Review by Steve Alspach Robert Fripp's first solo album (not counting the side projects with Brian Eno) was considered "A Day in the Life" for the 1970s.
This anthology of songs from John Wetton is quite strong. It’s not all progressive rock, and for the most par even when it lands there, it’s more in the AOR end of the spectrum.
This new five-CD collection is pretty amazing. I've said before, and will repeat it here, that this new version of King Crimson might well be the best lineup they've had, particularly in terms of live shows.
Fripp & Eno - Beyond Even (1992-2006) Review by Gary Hill This is a collection of previously unreleased collaborations between Robert Fripp and Brian Eno. As one might imagine the majority of this music is firmly rooted in atmospheric territory.
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Robert Fripp's collaborations in the late 1980s and early 1990s with David Sylvian, in retrospect, clearly laid the groundwork for King Crimson's album Thrak.
King Crimson - Discipline Review by Steve Alspach These were interesting times for Robert Fripp, ye olde scholastic of the progressive rock scene. In 1978 he had released Exposure, an album that he described as "A Day in the Life" for that period.
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Theo Travis - Double Talk Review by Gary Hill A modern legend in both progressive rock and jazz circles, Theo Travis and crew have crafted a killer album that showcases both sounds. More...
In honor of the 40th Anniversary of the Earthbound album King Crimson have released this deluxe set. It's an amazing release, too. First, you get the original album with three bonus songs added to it.
King Crimson - Eyes Wide Open DVD Review by Bill Knispel Following two plus years as a “double trio,” and nearly two years of fractionalization through a series of ProjeKCts, King Crimson returned to active duty in 2000 as a streamlined quartet with the album TheConstruKCtion of Light. A second album in this newer “double duo” format titled The Power to Believe, followed in 2003.
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King Crimson - Happy With What You Have To Be Happy With Review by Bill Knispel
Happy With What you Have to be Happy With was the second consecutive EP release from King Crimson, and presented a look at additional material that would, along with the instrumentals presented on the Level Five EP, form the majority of the band’s (at the time) forthcoming studio album The Power To Believe.
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King Crimson - In the Court of King Crimson written by Sid Smith Review by Steve Alspach Few bands in progressive rock have a more colorful past than King Crimson. As Sid Smith says in the preface, the history of King Crimson is the "triumph of spirit over adversity. And sometimes the triumph of adversity."
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King Crimson - Islands Review by Bill Knispel King Crimson’s Islands album (1971) marked two milestones. On one hand, it was the band’s return to live performance, as Crimson had not played any live shows since December of 1969. On the other hand, it marked the end of the first phase of the band’s career, as stresses and interpersonal conflict would cause the group to break with lyricist Peter Sinfield (who had been with them since their founding) before finally imploding from differing musical directions and influences prior to a final US tour (which the band did out of contractual obligation).
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This is quite an interesting set. It's been released in honor of the 50th Anniversary of King Crimson's Larks' Tongues in Aspic album. We get two CDs here along with two Blu-Rays.
King Crimson - Level Five Review by Bill Knispel Following the “research and development” phase that was the ProjeKCts, King Crimson resumed its most recent return to recording and performance. Having jettisoned Bill Bruford (who returned to primarily jazz playing via Earthworks) and Tony Levin (who returned to live work with long time collaborator Peter Gabriel), Crimson recorded and released the more electronic album The ConstruKCtion of Light in 2000.
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I had never seen the mighty King Crimson play live before - not surprising, as I was only ten years old when the band last played my home town in 1974!
It seems that there is quite a bit of live material being released from this version of King Crimson. That's a great thing because this line-up might be the best ever.
King Crimson - Lizard Review by Bill Knispel
Lizard is one of two “lost” King Crimson albums. Generally overlooked in favor of either the megalithic debut release or the embryonic prog metal that made up the band’s mid-1970’s output, Lizard shows the band moving more toward Robert Fripp’s musical ideals and concepts.
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King Crimson - Lizard – 40th Anniversary Series Review by Gary Hill The third King Crimson album, this version is part of the 40th Anniversary series of reissues. It is presented here in a few ways.
I have to say that for my money, the modern incarnation of King Crimson really is probably the best. The reason I say that is that there are distinct periods of the band throughout their history.
King Crimson - Neal and Jack and Me DVD Review by Bill Knispel King Crimson’s ‘return to the throne’ in the 1980’s must have been viewed with a degree of skepticism. The band made a name for themselves in the 1970’s with their dark blend of symphonic grandeur and intense heaviness, mixed with an improvisational spirit that would drive them to push every song and performance into parts unknown.
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King Crimson - Red Review by Gary Hill For my money, Red is King Crimson's most consistent and powerful album. The disc combines the hard edged sound that I think works the best for Crimson with both highly accessible and very creative song writing to produce an album that holds up exceptionally well.
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For me Red has always been King Crimson’s ultimate album. I know, there are those who will point to Larks’ Tongues…, but personally I think this one is more cohesive and to the point.
King Crimson - The Construkction of Light Review by Gary Hill King Crimson has always been an enigmatic group. The band has basically had three previous incarnations; '60's/'70's, '80's and the '90's versions.
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King Crimson - The Power To Believe Review by Gary Hill Since its formation in the late 1960's King Crimson has never been content to stay in one musical place. They were one of the pioneers of progressive rock, and under the guidance of band leader Robert Fripp they have gone through many changes, both in terms of musical style and lineup. I
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King Crimson - Three Of A Perfect Pair Review by Gary Hill When King Crimson reformed in the 1980’s to create the Discipline album the sound they presented was quite different from the classic Crimson of the 1970’s. While I liked all of the discs from this Belew, Bruford, Fripp and Levin lineup, I still preferred the “old school” stuff.
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King Crimson - USA Review by Steve Alspach Robert Fripp's decision to knock King Crimson on the head may have been a shock to some, but it seemed like the right thing to do at that time.
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King Crimson - VROOOM Review by Bill Knispel 10 years following the dissolution of King Crimson following a trilogy of world and gamelan influenced albums, the band quietly rejoined forces in a small studio in Woodstock New York to create a new band and a new sound. Expanding beyond the quartet that created those 1980’s albums, the core group (Robert Fripp. Adrian Belew, Tony Levin and Bill Bruford) was joined by new members Pat Mastelotto (drums, formerly of Mister Mister) and Trey Gunn (Stick) to create what founding member Robert Fripp called a “double trio.”
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