The cover of this disc describes it as a "movie for your ears." Musically this is essentially fusion.

This is clearly not progressive rock by a conventional definition. It is art rock, though. This has a lot in common with Kate Bush.

There are some intriguing pieces of music here. Some of it, to my ears, gets marred by a processing that lends it to feel warbly.

As a reviewer, I’m exposed to a lot of interesting music; some good, some not so good.  There is so much music coming out that flies under the radar that we (as the music buying public) don’t get exposed to in our normal lives. 

ScienceNV returns with the second part to their concept The Quest For Prester John.  I liked the first part, so I was really looking forward to hearing this disc. 

I've reviewed a couple other discs from this act in the past. It seems that every time they release something new, it's much stronger than the previous album.

This new set from The Security Project continues their cycle of re-envisioning Peter Gabriel songs, but brings new flavors and concepts to that idea, while also stretching it out a bit.

This is quite an effective and entertaining set. I have put this under progressive rock, but I'm sure some will argue with that. The mix of sounds, jazz, world and rock might qualify it by itself.

This 1975 album is pretty cool. I'm reminded quite a bit of Klaatu a lot of the time, but this was actually contemporary (more or less) to that band. There is a healthy helping of funk built into a lot of this. 

This reissue album is a classy one. A big chunk of the disc is instrumental and keyboard based.

Legacy is Shadow Gallery's fourth disc, and certainly one of their best. Those who consider Shadow Gallery to be prog metal rather than straight progressive rock should really give this disc a listen. 

I've put this under progressive rock, but it's not a tight fit. There is a definite melodic rock element to the music here that lands in the territory of AOR prog.

The bass guitar is an instrument whose players are often overlooked, relegated to playing the rhythm hidden behind guitar heroes, singers and keyboard wizards. A few bassists have managed to put together chops and performances that allow them to rise above this status.

With this CD Sherinian continues his tradition of creating hard edged prog that is quite firmly rooted in fusion. The disc succeeds very well in creating an energetic and considerably potent instrumental mode that sends the listener on a major journey.

This set is quite cool. The musicianship is incredible.

This is the second disc from this outfit that I've reviewed. The brand of fusion is potent and intriguing.

The sound these guys create is both intriguing and captivating. I've landed them under progressive rock, but their brand is modern and AOR based.

This is apparently the sophomore disc from this outfit.

This is the latest set from Siena Root. I think it might be the best of theirs I've heard.

This is definitely not a tight fit under progressive rock, but there is enough of the moody modern prog sound that I think it fits. The set works through a variety of textures, but does lean toward the mellower end of the equation.

I don't think I had heard of Alan Simon until recently. This double disc set captures a lot of his previous work.

The newest disc from Alan Simon, this is another strong one. It has a lot of the melodic progressive rock sounds that are the mainstay of so much of his career.

This is a compilation album featuring the music of French songwriter Alan Simon. There is a theme running to the selections here, in that they all feature female singers.

This new double disc set is a telling of the French Revolution. As Alan Simon tells it, the disc focuses on the dark side of the story, which has often been relegated to the forgotten section of history.

I guess these guys are billed as stoner rock. I tend to think of stoner rock as more slow, plodding, Sabbath-like heavy stuff.

The music presented here is really hard to pin down in terms of musical genre. There is certainly a lot of jazz in the mix.

I previously reviewed a set from this act and really liked it. The concept of just piano, drums and voice used to really rock, sets them apart.

This was the debut album from Sky. It really set a high bar.

This was originally released as a double LP on vinyl.  It actually almost feels like two different albums.

As you might gather from the title, this was the third album from Sky. Between the two releases Francis Monkman had departed, being replaced by Steve Gray.

The fourth album from Sky focused on new arrangements of music written by others. While there is an emphasis on classical music, there are other things included as well.

This album is not nearly as classically oriented as some of their others are. Still, the classical elements do drive some of the pieces.

While overall the concept of instrumental prog/fusion isn't greatly changed from their previous works, this one is just so strong. The quality and intensity are really dialed up a lot.

The final album (to date - the group has not worked together since, but have not officially disbanded), this is the most classical release they ever did. It was recorded with a symphony orchestra.

This is a particularly awesome box set. It's also a great value. You get all seven of Sky's studio albums, and as a bonus there is a live DVD included as the eighth disc.

A while ago I reviewed a box set of studio albums from Sky. For my money, that might be the best introduction to this act.

I've always dug this band. Their combination of fusion with pure jazz, King Crimson-like guitar work and more has filled their studio discs with smoking hot instrumental work.

These guys were sent via their PR rep as heavy goth rock and post-punk. I can see that, but just based on this track, I've landed them under progressive rock.

This is the second single from Sluka that I've reviewed. I landed the first one under prog, and I'm going to do the same here.

This is really a hard artist to pin down stylistically.

It seems appropriate that this release is being reviewed in the same issue as a collection by John Cage. This is similar to his work in the way that it is very much outside the box and experimental.

Like with their previous release, I'm perhaps stretching the boundaries to include this under progressive rock. I think that's a worthy cause, though.

This is the brand new album from Soft Machine. A group with a long history, the current lineup is John Etheridge, Theo Travis, Roy Babbington and John Marshall.

Honestly, were this getting placed strictly on the music contained here, it probably wouldn't get put under progressive rock.

This new live album is so cool. It's all instrumental and very much built on space rock type sounds.

This album is a great progressive rock disc from a band that should go far in the genre. They take a good healthy dosage of Dream Theater influences as the core of their sound. 

This new album is a concept disc. It's essentially a science fiction tale and quite an interesting one at that.

I have landed this set under progressive rock. I can see some people disagreeing with that.

Had I heard this album last year, it would have definitely made my best of 2017 list, and been pretty high on the list. This is an amazing album.

It is still pretty early in the year, but I'll be surprised if this release doesn't make my "best of 2020" list. The mix of sounds here includes metal, good solid hard rock and plenty of progressive rock.

This is the new solo album from Bruce Soord, who is probably best known as the lead singer for The Pineapple Thief.

This album was released just before Cosmic Horror III: Stella Polaris but recorded during the same sessions as that album. This one lands a bit less metallic than that album.

I've reviewed several albums from this act before, but missed this one and the other that's reviewed in this issue previously.

Many influences can be heard and many comparisons can be drawn, however, the outcome is quite unique. While one prescription dulls the pain, another treats the downing affects with a stimulating boost.

I always like the music from Spirits Burning. This album is no exception.

The parallels are amazing. A band, noticed for its work in progressive rock, releases for its sixth album an epic tale of a young man making his way in the world, only to have the band's lead singer surprisingly pack it in and leave the band.

The fifth album from Spock's Beard shows them to be at the forefront of current progressive music. In this album the band is able to play exciting, adventurous music without ever becoming self-indulgent or pompous.

Day for Night is the fourth studio album from Spock`s Beard. The album is a departure from their earlier albums in that shorter numbers has replaced the fifteen-minute suites.

Considered by many to be one of the best of the new wave of progressive rock bands, Spock`s Beard was formed in 1992 in Los Angeles.

This album shows influences from many prog directions (Yes, Genesis, Alan Parsons) and nonprog directions (metal, Elton John). .

This new edition of Chris Squire's debut solo album is great. It's a two CD set.

Star People … are weird … and intriguing and fun. Did I mention weird?

The follow-up to Star People's …Are Coming, Genius shows the band in a lot more natural and polished form.

This is quite an effective set. It has a good balance between shorter pieces and epic suites.

Folk rock legends Steeleye Span have been crafting their unique blend of ancient music-meets-modern instrumentation for the better part of five decades.

This new box set features three full albums from Steeleye Span. It comes in a nice clamshell box and includes an impressive booklet.

The first album from Steeleye Span, this was released in 1970. It's perhaps more acoustic and traditionally driven than the discs that followed it.

This is Steeleye Span's second disc, released in 1971. As much as I enjoy the first album, I'd say that this one elevates things a bit.

Steeleye Span's third album, this was released in 1971 (and was their second release that year). I think this is proggier than the first two.

This CD is a concept album that is based in progressive rock textures. That said, it's really quite varied.

This is an instrumental album. The sounds range from prog to fusion and the territory in between.

This band is certainly one of the founding pieces of the whole folk prog movement. This brand new album finds that they have lost nothing over the years.

This new edition of a classic Strawbs album is in itself, classic and classy. First, you get the remastered album along with a lot of bonus tracks.

Although he’s probably best known for his work with the Police,

I previously reviewed the vinyl release of this. The CD features all of the songs from that set along with a couple bonus tracks.

Damo Suzuki is best known for his time as the lead singer of Can. His vocal style is clearly unique.

This instrumental set weaves an intriguing sonic tapestry. While it's overall fusion based, there are elements of pure progressive rock, space rock and much more.

This is a new reissue of The Syn's Syndestructible album on vinyl. I have to say that to me, this is probably the medium on which you should be listening to this set.