Astral Magic is always dependable for producing cool space rock. This latest release continues that tradition.

This is a reissue of an Arthur Brown album from 1974. I generally include Brown under progressive rock in general, but most of this album fits there to some degree, either way.

I have included this set under progressive rock. That's not a tight fit, but I think it's the right place for it.

This is the second album from this artist I've reviewed. I loved the other one, and I think I like this one even more.

I heartily included this on my list of best albums of 2023. It is a beautiful sonic tapestry that encompasses classical music, progressive rock and jazz.

You will note that I have included this album in the progressive rock section of Music Street Journal.

Chicago's District 97 put out consistently strong progressive rock. It's often too metallic for some prog purists, but it's definitely prog.

The mix of sounds here is pretty amazing. There are passages that are full symphonic.

This is definitely not an obvious choice for inclusion under progressive rock, but I don't see it fitting elsewhere.

This is an intriguing and effective release. It makes good use of bluesy hard rock sound at times leaning toward metal.

We generally put fusion under progressive rock at Music Street Journal. That's because it tends to be more artsy and is not far removed from jazz prog.

This is such an intriguing album. This album includes jazz interpretations of folk songs.

This isn't precisely progressive rock, but there are enough space rock and other angles to lean me in that direction for classification.

This is an intriguing set that feels like it could be some kind of concept album. It's a progressive rock set with a lot of emotional and intensity variety.

This might not be the most obvious choice to go under progressive rock, but I think the mix of sounds and experimental, artsy nature of the music here, lands it there.

There is some amazing and particularly potent instrumental music contained here.

To some degree you know what you are going to get with an Ozric Tentacles album.

This album lands under prog because that's where we put fusion. This sort of experimental jazz seems to qualify.

This music is art music. It is probably considered jazz-aligned, but this really stretches beyond that.

Cecile Strange's music is probably more pure jazz than fits under progressive rock, via jazz rock or fusion.

This album is a double CD set. It's made up of three multi-part suites.

3 was essentially a variant on Emerson, Lake and Palmer, but it was its own band, too. The group played ELP music, but also their own stuff that leaned a little more on the mainstream rock sound.

This band can be looked at as a spin-off from King Crimson. They play music that's very much in line with earlier King Crimson here. 

Viima always deliver strong music. Their sound lives somewhere between folk music and symphonic prog, at times encompassing both.

Not to be confused with the German doom band Wheel, this is the musical project of Portland, Oregon musician Avram Brown.

To some degree you know what you will get with Zanov. The music is always electronic keyboard stuff along the lines of Synergy, Vangelis, Kraftwerk and others.

This is quite a unique project. It has a lot of metal in the mix, but it also has raunch and roll, Goth sounds, catchy hooks and more.

This act is listed as a metal band, so I'm going to include this under heavy metal. I have to wonder if their other music is different, though.

This band was part of the NWOBHM. The thing is, they were a lot less known than many of the other groups who were part of that movement. 

This is a symphonic metal band from Greece. This album is the kind of thing that really grows on you. 

This album from Italian melodic metallers Sinheresy is a work of art.

This band was formed by former Opeth drummer Martin Lopez after he left that band.

If you like your metal delivered with a lot of classical music in the mix, you will probably love this.

The newest album from blues legend Arthur Adams, this finds him in great form.

While this album isn't really within the zone of the kind of music I listen to most often, I can certainly appreciate the effort.

I previously reviewed another set from Katie Callahan.

I previously reviewed one other album from this act. Like that one, this has a real retro edge.

This collection of hard rocking music has a lot of great songs. The cover is rather confusing, though.

This group was the house band at the Peppermint Lounge in Manhattan in the early 1960s. They had a huge hit in 1962 with "Peppermint Twist."

At their core, Foghat has always been a blues rock band. This album really makes that point clear.

This is an intriguing and effective release. One constant throughout is Angie Goeke's voice.

I didn't realize it at the time, but a lot of people didn't like this album when it came out. Guitarist "Fast" Eddie Clark was out of the band, and his replacement was Brian "Robbo" Robertson. 

The sticker on this record declares it as "heavy. freaky. fuzzy." I'd consider that accurate.

This is quite an interesting release. It covers a good amount of territory musically.

While the Stray Cats were bigger, the Rockats were the originals. They were actually an inspiration on Brian Setzer.

This four track EP is interesting. The band has a real artsy quality to their stuff. .

This five CD set gathers up all the music from a specific era of U.K. Subs. The band are a legendary punk act. 

This is a collection of solid music. Nothing here is especially unique or unusual, but instead we get a batch of songs that feel like they could have been released in the 1970s.

This is actually being distributed under the somewhat confusing moniker of Motörhead, Lemmy & Larry Wallis.

This is a double vinyl set, but it's actually sort of a weird configuration.

I remember seeing this concert film at a midnight showing in the theater. I had some issues with it at the time.