There certainly seems to be a lot of genre stretching music coming out under the “jazz” heading these days. This album is one such release.

Here is a truism for you: You just can’t go wrong with a Jason Blake album.

This is a pretty amazing release. It’s definitely jazz based, but there is a healthy helping of freeform weirdness at play.

The music here is intriguing. It’s often effective, too.

This is perhaps not the proggiest thing I’ve included under the progressive rock section, but it does have a decent amount of that genre within its running time.

This is one of three CDs from Coincidence I’ve reviewed for this issue of Music Street Journal.

This is the third release from this act I’ve reviewed. It seems like each one is better than those that came before it.

This is quite an intriguing genre bending set of music. Of the album’s eight songs, only three run less than ten minutes.

This is the second release from this artist I’ve reviewed.

This collection of jazz lands closer to the freeform zone, which is what gets it under progressive rock at Music Street Journal.

This collection is a set of multi=track suites. It’s said that they all address issues in the world, but I didn’t manage to perceive any of that.

This type of music is definitely not well suited to track by track reviews. It’s very free-form and experimental.

This album is not progressive rock in a traditional sense. It definitely belongs under prog, though.

This album is a one-man operation with Dave Schoepke providing both drums and synthesizers. It’s instrumental music that leans toward space and experimental territory.

This four CD box set features two studio albums from Stackridge along with a double disc live album. These discs all come from the reunion era of the group.

Although I previously reviewed a book about Bang, I never actually heard them before, but apparently they were first around in the early 70s and were a doom metal band then.

This double-CD set gathers up two 1980s albums from Christian metal band Barren Cross and assembles them in a nice clamshell case.

Coming off of their violently frenetic Chaosphere album highlighting a thrash sound, Meshuggah dial in with deliberate and calculated grooves that enlist more of their fusion influences on their Nothing album.

I have reviewed quite a bit of Karney’s music in the past. Her sound seems to be unbound by genres or other limiting factors.

I have previously reviewed quite a few releases from Ranzel X. Kendrick. His musical style is often all over the place, but it generally works well for me.

The music on this has a contemporary edge to it, but it’s more rooted in retro blues rock than anything else.

Nina de Vitry is described as a jazz folk artist. I think that fits pretty well.

Let me start off with something I’ve read but can’t conclusively confirm. I’ve heard that this Blu-Ray is just a Blu-Ray release of the earlier DVD.